Pierre Choukroun

Indochina, 1945. While the French are harassed by both the Japanese army and the Vietnamese rebels, private Robert Tassen, driven by the memory of a tragedy of which he is the only survivor, embarks on the search for the mysterious and cruel Võ Bình Yên, one of the leaders of the insurrection.

By the river of oblivion, a lonely horsemen passes through a village where children play with hidden desires, adults are indulged in a celebration and violence and love are instinctive parts of life.

A science-fiction film centered around planet Earth receiving a coded message from outer space and the subsequent disappearance of 12,000 inhabitants of Sepuvedra, a free-trade port. The government and the army are convinced that they have been kidnapped by aliens and Professor Larsen, an eminent astrophysicist and UFO expert, is assigned to lead an urgent investigative mission into the deserted town.

Raï is about a gang of youths in a Parisian suburb.This is the multicultural environment in which Mezz, Aziz, Laurent, Nordine, Poisson and the others have grown up. There is no future in Garges-les-Gonesses. Unemployment is high, drugs and violence are a part of everyday life. The opportunity to escape seems nonexistent.

Brothers Martin and Simon, not yet teens, are incorrigible vandals; Martin runs away from reform school, Simon from foster homes, and they always find each other in a seacoast town of Lignan, where their destructive behavior is infamous. (It may date to their mother's leaving the family.) Martin is philosophical, romantic, and poetic: he dreams of being the son of a shark; he holds tight to a book about goldfish his mother gave him. In both halting and wild ways, he tries to court Marie, a neighbor girl. Simon, with a pocketknife and an intractable will, seems more dangerous to others. What, on earth, is there for these children-becoming-men?