Anabela Brígida

Maria da Luz is almost blind. She's been waiting for cataract surgery for 3 years. António, an old fisherman, takes care of her, hiding the secret of an old love. Miguel, a mysterious boy, wanders through the city, watching daily for Maria's house. Luís, the mayor, seeks to solve the problem of hundreds of people with cataracts in the Municipality. Ana, Maria's daughter visits her mother. Despite their misfortune, they seek to redeem themselves under the eyes of António and Miguel. Maria da Luz is not alone.

Her mother has just died. Her father is not what she had thought. Caught between an uncertain past, which she knows only through the photographs her mother has left behind, and the prospect of a marriage that she does not really want, Elisa sets out to discover the truth. But will she recognize it when she finds it?

Forty years later six ex-fighters, that had been together in the War in Africa, keep meeting. They know that, during those meetings, talking about the War is therapy to exorcize nightmares and ghosts. What keeps them alive is what destroyed them: Memories. Life has never been the same. They had twenty two years old when they met at the War. Time has stopped there. Today, they only exist when they are together.

Dawn is breaking into day. Fair day. As in every year. But this is a year of mourning. "It doesn't look right!" Vera says to her sister. And her mother-in-law looks at her and remembers the dead son. Remembrance is a silence between the two of them. Children's voices come from outside. Lucia wants to go to the fair with her uncle and cousin. "You promised!" claims the daughter. Vera consents in letting her go. Lucia waves her hand as the tractor drives away. Chance, once again. An accident. Death, always so close, so alive.

A bad luck that should never have happened, sends Rodrigo into a coma that lasts five years. And when he wakes up, after so long haunted by the image of the woman who shot him at close range, he realizes that life has not stopped waiting for him, without realizing that everyone is lying to him. And that your best friend is getting ready to get you into trouble again.

The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.

A trainee apprentice meets a girl during the crossing the Tagus crossing and they live an adventure of suspicious smiles, misunderstood sentences and occasional robberies.

This short film is based upon a book of tales "Exemplary Crimes" by Max Aub who, in his turn, was inspired by real testimonies that describe crimes straightforwardly. The Testimonies are individual confessions by different persons that have nothing in common but the fact that all committed murder.

The Bodiless Woman is an intervention film about the violence perpetuation and, above all, about the victim’s dignity and her deliverance.

Emilia is a writer, living in Lisbon in the year 1959. She is the “Damsel Warrior”, a fictional woman composed from the literary universes of Maria Judite de Carvalho and Irene Lisboa, writers of the city and the characters that inhabit it.