Agnes Fink

It's 1922. A weather observer and his wife live in a remote cabin high in the Swiss Alps. As this drama begins, they are being joined by a third person, an Austrian who coveted the job the Swiss man had won in this bleak location. Not only that, but he also has his eyes on the Swiss man's lovely wife. The Austrian has charm, so he wins some hospitality from the couple. The three live together for a little while, but the rivalry between the two men soon erupts with tragic consequences.

Ulrich Mühe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The shameless man's story is contrasted with that of his polar opposite, a Jewish anarchist.

Julien works in an office and lives with his invalid mother and his girlfriend in a pre-war Paris apartment. He feels like the two women take advantage of him and at night, he dreams of sex and violence. Meanwhile, a murderer is loose in Paris, killing women. One day in the metro, Julien believes he sees a murder victim from his dreams; the enigmatic beauty leads him into an old shopping arcade peopled by strange figures, where he meets prostitute Bichette. The independent, confident young woman starts an affair with the clerk. But then Julien witnesses a real murder in the glass-roofed arcade…

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?

Tells of the tribulations of a middle-aged official of the Austro-Hungarian Bureau of Weights and Measures in fighting the local shopkeepers and traders whose weights are frequently light.

Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.

The new-rich mother of a film child who became famous overnight is trying to bring her little son together with the twelve-year-old king of a Balkan country, who is currently in Brussels, for validity and advertising reasons. The children actually get to know each other and run away with an 'Liftboy' to Antwerp for adventure.

A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.