Pekka Veikkolainen

参加作品

Finlandia-katsaus no. 701
Producer
A ironical sequel to "Finlandia-katsaus" newsreel.
Finlandia-katsaus no. 701
Editor
A ironical sequel to "Finlandia-katsaus" newsreel.
Finlandia-katsaus no. 701
Writer
A ironical sequel to "Finlandia-katsaus" newsreel.
Finlandia-katsaus no. 701
Director
A ironical sequel to "Finlandia-katsaus" newsreel.
Puheenvuoro
Director
On 7 November 2016, the Tampere City Council convenes to discuss the tram.
Yöperhosten salattu maailma
Cinematography
Yöperhosten salattu maailma
Director
Emergency Calls
Writer
Being human is a fragile and fleeting opportunity to experience life and the universe around us. In the face of overwhelming darkness all we can do is to rely on and find solace in one another. The film is based on authentic emergency calls and radio traffic.
Emergency Calls
Director
Being human is a fragile and fleeting opportunity to experience life and the universe around us. In the face of overwhelming darkness all we can do is to rely on and find solace in one another. The film is based on authentic emergency calls and radio traffic.
Gates of Life
Writer
Brief moments of life stolen from passing-by strangers form a sequence of events hidden in plain sight.
Gates of Life
Director
Brief moments of life stolen from passing-by strangers form a sequence of events hidden in plain sight.
The Death of an Insect
Producer
In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.
The Death of an Insect
Editor
In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.
The Death of an Insect
Director
In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.
Hanasaari A
Director
Hanasaari A is an experimental documentary about the changing cityscape of Helsinki and the final moments of a coal-fired power plant. The old industrial milieu is being destroyed to make space for modern housing units. The film is a combination of animation, live action cinematography, and graphic elements. It is based on 500 000 photographs taken during the final two years of the existence of the power plant.