Broselianda Hernández

参加作品

The Companion
La Madre
At the height of the 1980s AIDS epidemic, Cuban boxing champion Horacio's punishment for failing a drug test is to watch over the brash, combative Daniel, a patient in a sanatorium where HIV patients are compulsorily confined. The two collide as Daniel yearns for freedom while Horacio dreams of returning to the ring.
Truck Driver
Yerandy's mother
In a boarding school, Raidel is witness to the abuse suffered by his schoolmate Randy.
Queso de cabra
In no particular time and space, a family fabricates goat cheese. The mother and the daughter pretend to sell the cheese in a lonely road, but they are really selling their bodies. They leave the hard worked cheese to decay in a pile of dirt and rot. The mother encounters existential desperation when the daughter departs with a costumer and the father prefers the company of the goats.
José Martí, the Eye of the Canary
Leonor Pérez
This historical drama, depicting different phases in the late childhood and youth of the so-called "Apostle of Cuba" José Martí, is most of the time a biopic full of commonplaces often found in this genre, directed by Fernando Pérez, one of the most respected names in Cuban cinema.
Siempre Habana
Luz Divina
Ignacio and his nephew Tomasín are two Galician businessmen sharing a family inheritance bonus with their cousin Divina Luz, cuban-born, but of Galician descent. The division of the property is notarized in Santiago de Compostela, where Divina Luz is received by his unknown family.
カリブの白い薔薇
Madame
Simon transports illegal immigrants to New York, leaving them to their fate. He is discovered by the coastguard and Andrés, a young sailor, saves his life. When he falls for a young protegée of Simon conflict erupts.
Mata que Dios perdona
Miriam
Doble Juego
Beatriz
Things I Left in Havana
Ludmila
Three sisters leave Cuba in search of a better life in Madrid. While there, they encounter, among other things, other Cuban expatriates.
Espiral
An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.