Patrick Massieu

This is the first film by Hänsel based entirely on her own script and gives a wise and loving significance to the concept of personal and anecdotal. With beautiful leading roles by Canto as mother and Gourmet as her ex. Together, they drive to a ski resort to fetch their son, a ski instructor with a broken leg.

An Ukranian woman enters Belgium illegally and hides in the van of a driver abandoned by his wife. He ends up helping her to find her husband who had emigrated long before. They are joined by his wacky Spanish mother and cute young daughter.

In the hot summer of 1940 the German troops are just outside Paris, and numerous Parisians are leaving the city in a complete panic. Luce Ader, the sensitive daughter of a factory owner, decides somewhat belatedly to escape as well, together with her arrogant fiancé Bruno. Since they have a luxury automobile, the elderly society lady Daine Lessing decides to join them, and brings along the sensitive homosexual diplomat with her. The four of them finally leave the city in the hopelessly overloaded luxury car, only to get stuck in the middle of a seemingly endless column of refugees along a dusty road outside Paris...

Les aventures tragi-comiques de quelques individus ou comment reagir quand votre maison se retrouve ensevelie sous les eaux, envahie par de droles de personnages et qu'on va accoucher dans les heures qui viennent?

French novelist Vincent Ravalec made his directorial debut with this French drama about small-time crook Gaston (Yvan Attal) who poses as a millionaire after he picks up hitchhiking 16-year-old Marie-Pierre (Virginie Lanoue). Actually living in a seedy apartment, Gaston deals in stolen goods, but he soon climbs to bigger heists, including car thefts. Concealing his illegal activities, Gaston operates his company, Extramill, out of upscale, posh offices, while he and Marie-Pierre move into a sedate upper-middle-class neighborhood. Life is sweet, but the onset of paranoia, kinky sex activities, and police probes eventually culminate in violence.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

A teen girl is wrongfully suspected for a crime. A former cop helps her to proof her innocence. There's only one problem : her behavior brings the two of them more than once in trouble.

January, 1920. 350,000 French soldiers remain missing in action. Major Dellaplane tirelessly matches the dead and the wounded with families' descriptions. Honor and ethics drive him; he hates the idea of "the unknown soldier." Into his sector, looking for her husband, comes a haughty, politically connected Parisian, Madame Irène de Courtil. Brusquely, Dellaplane offers her 1/350,000th of his time, but as their paths cross and she sees his courage and resolve, feelings change. After he finds a surprising connection between her missing husband and a local teacher, Irène makes Dellaplane an offer. This man of action hesitates: has he missed his only chance?

Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not part of the action.

While being transferred to another prison, two convicts - Stéphane Carella and Paul Brandon - effect a miraculous escape. They are pursued across the Verdon Gorge before arriving at an isolated farmhouse whose owner, Laura, offers them sanctuary. Since the death of her husband, Laura has longed to get her own back on the police and she agrees to help Carella and Brandon in their scheme to rob a casino in Nice. After a shoot out with the casino’s owners, Carella realises that not everything is what it seems. Brandon is not what he appears...

Martin (Heinz Bennent), a sculptor, is dying in his bed on a barge that floats along a fog-shrouded waterway. As he agonizingly descends into a final oblivion, his second wife is at his bedside, comforted by his first wife -- also present.