Masatoshi Yokomizo

Minako (TANAKA Yuko), begins her day running up and down the hills of her hometown delivering milk door to door. When that's done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (KISHIBE Ittoku), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children's affairs section of the local municipal office. Though he insists that he wants nothing more than an "ordinary" existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.

Three women who share memories of the Hiroshima disaster try to uncover the hidden family ties that may or may not bind them together.

Takahashi travels to Boracay in the Philippines to write a novel. After a while, the real world and the world of the novel begin to intersect

レンタカー屋で働く悟はある日、ヤクザの乗ったジャガーに車を追突させてしまう。無理矢理ヤクザの事務所に連れて行かれ、法外な金を要求される悟。だがその時、事務所が突然ガス爆発。奇跡的に生き残った悟は、偶然通りかかった看護婦の静子とともに、事務所にあった2億円を持って逃走する。

A story of friendship between two women, Yae and Kiyoko. Their friendship is tested when artist Yae, who suffers from fatal illness, develops special feelings towards her best friend Kiyoko’s boyfriend Kosuke.

2029年、二度の大戦を経て、電脳化・義体化技術の発展した世界。新たな可能性の一方で、ゴーストハックや犯罪の多様化といった問題にも悩まされていた。 そんな中、他人の電脳をハックし人形のように使う「人形使い」が入国し公安9課は調査に乗り出す。

Maiko is a recently widowed young woman travelling to Bali to distract herself from the loss of her husband, Esau. At the airport she meets Kioko, who gives her a dagger and a photo of a woman. She tells Maiko she must find the woman, Shireni, in Bali and convince her to return to Japan, or she must use the dagger to kill her. Soon after her arrival in Bali she meets Shireni and is invited to stay with her. Quickly Maiko finds herself trapped on Shirini's island paradise, by her own confusion and her developing love for Shireni. She discovers Shireni to be immortal, a former spirit medium whose only goal is to find pleasure, body and soul.

Set in the 1990s, this film uses black humour to cast a sharp, satirical eye at the problems facing modern Japanese families. Hiroshi accidentally hits a young woman with his car and flees in panic. He confesses to his wife, Yoko, who persuades him to keep quiet as his arrest would mean the end for their already troubled family. Their daughter is having an affair with a married man, their son is being bullied and refusing to go to school and their grandfather is becoming more difficult. Yoko urges the family to move the car into the living room in order to destroy the evidence by taking it apart. Hiroshi finally decides to do the honest thing but a series of bizarre incidents then ensues...

1960年代中頃の四国の田舎町を舞台に、ベンチャーズに憧れ、ロックバンドに情熱を燃やす高校生たちの姿を軽妙でノスタルジックに描いた青春ドラマ。直木賞を受賞した芦原すなおの同名小説を、「転校生」「さびしんぼう」の大林宣彦監督が映画化。1965年の春休み。四国・香川県の観音寺市。高校入学を目前に控えた藤原竹良は、昼寝中にラジオから流れてきたベンチャーズの「パイプライン」に衝撃を受け、高校に入るや仲間を集めてロックバンドを結成する……。

北尾実加が中学2年の時、高校2年の姉・千津子は、成績優秀でピアノが上手くスポーツも得意で、高校の演劇でヒロインを務め、教師や同級生からも慕われていて、実加も憧れていた。しかし、ある日の登校中に交通事故に巻き込まれ、突然この世を去ってしまう。ところがその後、死んだはずの姉の声が実加の頭の中に聞こえてくるようになった。姉の声は自分にしか聞こえないけれど、自分を確実に見守ってくれていた。

Shunzo is a popular greengrocer in a town near Tokyo. His life, and the lives of his wife Michi, and their two children, undergoes a dramatic change when he encounters Li, a poor college student from China.