Julia Perrin

Two Americans in Paris without a 'sou' get employed by an antiquarian as basement studs.

Young women in a modeling agency enjoy their jobs immensely as all of the action doesn't necessarily take place in front of the camera. The agency has a chance to land a contract but only if their girls are up to the task at hand. Of course they will do whatever it takes to get the job.

Body-body à Bangkok featuring Brigitte Lahaie

Charlotte wants to inherit her father Georges' estate, but she must get her stepmother Lisette in trouble first, by tempting her into affairs with a variety of partners.

A lovely young French woman comes to America seeking employment and to learn the English language better. The woman hooks up with a job agency that specializes in maid service. The woman winds up working for a colorful array of clients: A weird old man who lives in a house full of cats, a bickering dysfunctional family, a flaky old general and his kooky clan, and a handsome and wealthy widowed scientist.

A rich family residing in a French villa treats their two maids like garbage. The two girls decide to seduce the young son Luca who is home for the holidays and point him towards Fanny who is in the middle of being sexually awakened.

Georges (Guy Bérardant) is head over heels in love with Claire (Julia Perrin), his lover. Since he still has nice feelings towards his wife (Brigitte) he would like to simply divorce, but she has the money. He decides to ask two killers Max (Joël Charvier) and Edmond (Dominique Aveline)) to do the job. Brigitte, being a gorgeous lady, has no trouble seducing both men and ruling them. So she asks them to kidnap Claire and have some fun with her. They film the scene and show it to the husband. The film ends in the usual orgy where the husband makes friend again with his wife who finally agrees on living with him and his lover.

A day in the life of a female college, filled with the usual perversions that warm the hearts of the pupils, their parents and the school workers. Humorously erotic and full of good ideas, the movie is directed by Francis Leroi (who later went on to helm a "soft" Emanuelle series) with a kindly libertine mood that makes its vision really pleasurable. Leroi creates, with its bouncing editorial style, a complex picture that gives life-like reality to his brilliantly conceived screenplay; and with the help of a good cast, containing some truly beautiful porn actresses (Dominique Saint-Clair; Julia Perrin), he has made one of the most interesting porn movies coming from the famed French distribution label Alpha-France.

A woman suffering from amnesia reconstructs her life from audiotapes and discovers that she has had a sordid past, involved in prostitution, and unusual romantic relationships.

A fashion photographer and his French models travel to Bangkok.

Males include Jacques Vinair (who plays Jerome), the man who plays a sheikh, the hotel manager (non-sex) and an extra or two. Jerome spends the winter season at a French ski resort where he works as a bellboy. Because of his natural charm and good looks, female staff and guests can hardly resist him. Just arrived at his room he eavesdrops on Flore Soller and Mika Barthel next door who explore each other in their toilet cubicle. There, Flore, who's wearing only boots and a bobble hat, dips her head into the toilet bowl...

After a car accident, journalist Paul Gillas finds himself trapped at home, his leg in a cast. He spends his time observing the sexual antics of his neighbors with his binoculars. This gives him the idea of writing a pornographic novel. Paul continues to write his manuscript while he engages in various sexual games in the neighborhood.

Husband and wife, Albert and Lulu, run a brothel, Le Chat Rose, which is struggling financially.

Anna is unemployed, but her friend Catherine finds her a job in a very particular cinema. This is a porn room where the show takes place both on the screen and in the dark.

The film opens with Marilyn Jess and Julai Perrin being made to remove their panties by the headmaster.Then there is an abrupt cut to Dominique Saint Claire (Madame Birch, the owner of the Pensionnat Birch) leading a horse accross a field accompanied by Danièle Troeger. Cut to Jean-Pierre Armand, with curly hair and moustache, driving a bus up to Dominique's house. He goes in and she plays the dominatrix in a b/g scene dressed in her hacking jacket.

Olga, Sarah and Mireille live a peaceful life on their own without sorrows. The only guy they need is their dumb servant, Lucien, who prepares the meals and does the shopping. Mireille, a fortune teller, is the first one who recognizes that things are going to change. She predicts that two guys and one woman will enter their lives soon and that's exactly what's going to happen.

One drunk explains to another how he had to give up his work as a gynecologist because women kept throwing themselves at him.