Sara Serraiocco

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

In the exact moment they’re hitting rock bottom, a man, two women and a boy meet a mysterious man capable of gifting them a week of time where they’ll discover how the world would be without them. Will they find the strength to start over and fall in love with life again?

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.

A short movie about coming back to the cinema after lockdowns.

Two boys dream of escaping their island town to go on an adventure on the mainland, a son and his lover fight to escape the clutches of an overbearing father, and a priest is shocked when some local students plan to put on a homoerotic rendition of the miracle of Lazarus. Immerse yourself in Italian culture, humor and lush landscapes in these beautiful short films from Italy.​ The 5 short films are: Uproar [Pipinara] (2017); Tidal Time [L'ora di porto] (2018); The Mannequin [Il manichino] (2015); Lazarus Come Out [Lazzaro vieni fuori] (2015); Glue [Colla] (2016).

Antonio has spent his whole life away from Italy, his home country. He crosses paths with Leo, a young Italian artist who is trying to make it abroad. The old man and the young woman's destinies mirror each other. Memories from the past are awoken and end up offering a more peaceful future to the both of them.

Simone Segre, a renowned surgeon of Jewish origins, lives in a city in the north-east of Italy. A quiet life, an elegant apartment and no connection with his past. One day he finds himself assisting a man victim of a hit and run accident. But when he discovers a nazi tattoo on his chest, Simone abandons him to his destiny. Filled with guilt, he ends up tracing the man’s family: Marica, the eldest daughter; Marcello, a teenager plagued with racial hate; and little Paolo. The night will come when Marica knocks at Simone’s door and unknowingly asks for payback.

Milan, Italy, 1967. Santo Russo, a boy of Calabrian origin, arrives north with his parents and younger brother to find better living conditions. Due to an absurd misunderstanding and his father's contempt, Santo ends up in prison, where he gets a “true education.” In 1978, he and his friends Slim and Mario embark on a 15-year criminal career, a successful and ruthless spiral of robberies, kidnappings, murders and heroin smuggling.

A group of wild, physically disabled lowlifes has the perfect plan to rob a bank, but things go terribly wrong as each of them reveals their own personal agenda.

Cagliari in the 1940s is a big city for those who come from a small village. Annetta arrives in the days befpre Italy enters WWII and the Allies begin bombing the city. She's a 25-year old woman, always dressed in black, solitary and quiet, typical of the beauty of those from the most sparse areas of Sardegna.

Sandro is very polite yet a little unsure of himself. Luciano on the other hand is bold and sharp but has a mysterious dark side to him. They meet at a restaurant where they both work as waiters. Like many of their peers, Sandro and Luciano have the feeling Italy has little to offer and decide to seek their fortune together in Cuba, the new frontier of hope where anything is still possible.

Giulia’s is a poised world, made of rigour and sacred texts, which fiercely excludes those who do not belong to it. Libero's world is the world of all the others, of those who make mistakes, who fend for themselves looking for another chance and who love unconditionally. When Giulia meets Libero, she realizes she can have another destiny, one she will have to choose and build.

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.

Seventeen-year-old Jenny dreams of becoming a synchronized swimmer. Family events turn her life upside down and she is forced move to a remote area to look after her ill father and younger brother. It won't be long before Jenny starts pursuing her dreams again.

Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.

Salvo, a ruthless Sicilian Mafia hit man, changes his priorities after being involved in a bloody ambush.