In 1912-1913, movie pioneer Gaston Méliès, brother of Georges Méliès, did a ten month long trip around Asia-Pacific, shooting both documentaries and fictions on location in Polynesia, New Zealand, Australia, Java, Singapore, Cambodia and Japan. He wanted the “real” thing” he filmed, with the locals, being one of the first to give Polynesians, Maoris, Aborigines and Khmers a chance to appear on screen. His hybrid cinema dealt with questions of alterity, identity and representation.
Producer
Director
An indebted French family flees its creditors in this comic picaresque, one of pioneering French director George Méliès last films.
Director
Joe Fuller, the outlaw and bandit, draws rein at a humble cottage and begs refreshment. The traditional hospitality of the west is at once shown him by Jane White, who is alone in the house at the time, with her baby daughter. The bandit is given food and drink, while he is eating which, the baby takes a child-like fancy to him.
Producer
Dick, an easterner, comes west to try his luck at mining. No sooner does he arrive than Hartley, the local gambler and all-around villain, commences to make sport at his expense. Dick endeavors to bear it patiently, but a clash is inevitable, until the arrival at the village store of Mary Brown, one whom all held in respect, excepting Hartley.
Director
Dick, an easterner, comes west to try his luck at mining. No sooner does he arrive than Hartley, the local gambler and all-around villain, commences to make sport at his expense. Dick endeavors to bear it patiently, but a clash is inevitable, until the arrival at the village store of Mary Brown, one whom all held in respect, excepting Hartley.
Producer
John Burton, a railroad clerk from the east, was spending his vacation hunting in the wild lands about John Walsh's shack. One morning, as he was eagerly following a large hawk, which he had already wounded, he lost his balance on the edge of a cliff and plunged down to the stony ground below. His cries for help attracted Walsh's attention and he was taken to the latter's cabin, where he was tenderly cared for by Walsh and his wife, until he was able to return to his duties in the east. Walsh's wife was the apple of his eye, but, like most things that we love, she did not last, and twenty years later we find him a broken old man, living in the days that are gone.
Producer
Mary lived with her mother at the XX ranch, which was on the Rio Grande, just across from Mexico, and, as there was a ford there, it was easy for persons to cross from either side. One day, while riding on the Mexican side, she heard screams of distress and came upon Juanita, a beautiful Mexican girl, who had been insulted by Jose, a bad man of that vicinity, who commanded a band of guerrillas, who plundered and stole under the guise of insurrectos.
Producer
Mary Jane had nursed Black Bill's wife through a spell of fever and Bill was grateful with all the fullness of his rough nature. He sent Mary Jane a necklace and a note in which he promised on his honor to someday discharge his debt. It happened later, that one of Bill's horses was stolen. Bill and his friends found the thief, and were bringing him into town to a handy tree, when they passed Mary Jane, drawing water from the old well. Bill had a drink and Mary, in pity, raised the cup to the lips of Bob Ford, the horse thief, whom she had never seen before.
The Priest
Mary Jane had nursed Black Bill's wife through a spell of fever and Bill was grateful with all the fullness of his rough nature. He sent Mary Jane a necklace and a note in which he promised on his honor to someday discharge his debt. It happened later, that one of Bill's horses was stolen. Bill and his friends found the thief, and were bringing him into town to a handy tree, when they passed Mary Jane, drawing water from the old well. Bill had a drink and Mary, in pity, raised the cup to the lips of Bob Ford, the horse thief, whom she had never seen before.
Producer
Robert Burton was an only son and his indulgent mother had spoiled him. Bob was not all bad, but he was woefully weak and could not stick long at any one task. Also he paid more attention to rolling cigarettes than he did to his work. One day he was discharged by the foreman of the crockery store where he worked and appeared at home disgusted and sullen. His mother tried to comfort him, but the boy was anxious to have his way and announced his intention of going west, where he thought there would be better opportunities for him.
Producer
Edith Gates, whose father runs the X.Y. Ranch, has a burning desire to become a newspaper woman, but it is not so easy to accomplish as she imagines. She is turned down by one editor after another, and finally is insulted in the office of the "Blade" by Jim Ford, who is one of the star assignment men. Jack Burton, a cub reporter, comes to Edith's assistance, and is discharged for his gallantry. Edith returns to her home, and Jack secures employment on the "Express," the deadly enemy of the "Blade," where he "makes good." A month later the "Limited" is held up and the bandits escape.
Producer
A lost silent film depicting the battle of the Alamo. Filmed in San Antonio.
Padre
A lost silent film depicting the battle of the Alamo. Filmed in San Antonio.
Producer
Rawhide, Arizona, was certainly some tough town when Reverend Simpson first blew in from civilization and started his campaign of redemption. From Alkali Ike to Shorty Smith, not a man of them had seen the inside of a church in fourteen years; there has never been a sermon preached in the county, and the only hymns that had ever been heard were those of the coyotes. The Rev. Simpson soon set up the "Rawhide Mission," but in spite of the hot weather, the result was a heavy frost. Nobody came even as far as the door, except Black Mike, who was drunk and who thought he was at the XXX saloon. The worthy pastor pleaded, prayed and billed the town without result.
Producer
It was April weather on Lloyd's ranch, but all was not sunshine. The mortgage was due, and while there were enough cattle to sell to pay it, they were woefully short of men to handle them. Finally Lloyd decided to entrust the job to his son, Hal, and detailed El Paso Pete, one of his trusted men, to accompany the boy to Waco. The cattle were rounded up and shipped. Hal sold them to advantage and collected the money and was on his way to settle the mortgage, when he ran into an adventure. Jim Dempsey, a rough gambler, was having an altercation with his daughter, Rose. A Texan will ever respond to the call of beauty in distress and, regardless of the relationship, Hal interfered and followed them to see it safely through. He was led to a dance hall and was surprised and somewhat disappointed to see that Rose was a dancer there, but discovered that her father forced her to thus earn her living.
Producer
Desdemona was not the only woman to have trouble over a handkerchief. It occurred to Mary also. Mary was in love with Bill, who worked on her father's ranch, and was greatly admired by all the boys. Shorty returned from town one day with a fine checkered handkerchief, which he proudly placed about his neck, strutting in front of Bill to attract his notice. The handkerchief was almost loud enough to speak for itself, so Bill noticed it all right. One of the boys sneaked it from about Shorty's neck and hung it on a nail, where Mary found it. Seeing that it was new, she placed it about her own comely neck, but alas, Othello Bill became jealous and accused her of accepting it from Shorty.
Producer
Jack Robbins is a gentleman bandit. For months he has been hunted in vain by Bob Ford, the sheriff. Mary Gray, a young lady physician, comes west; Robbins befriends her and, not knowing him to be a bandit, she admires him. One day the sheriff gets close enough to Robbins to seriously wound him and he is in desperate straits. By accident Dr. Gray finds him and he becomes her patient.
Producer
Nellie and her father are from Boston, but every winter they visit San Antonio for the old man's rheumatism. Nellie is very fond of ranch life and it is her custom to spend part of the time at the Bar X, which is close by, while her father is undergoing all the delights of being "Boiled out" in the sulfur baths. Nellie meets all "the boys" and is particularly impressed with Jim Edwards, who constitutes himself her guide at the ranch. One day a horse runs away with her, and Jim neatly ropes it and thereby saves her life and wins her love.
Producer
Old Watson the prospector is the proud owner of a mine and a daughter, Ruth, but when Jack Mason, the gambler, comes to town and opens a faro game, Old Watson loses all his money and mortgages this mine to Jim Sanders, a sneak. Ruth Watson accidentally meets Jack Mason and, now knowing his business, she falls in love with him, and Jack, who has a big vein of genuine manhood in his character, loves the trusting little western girl in return. Finally, Old Watson comes home with ruin staring him in the face. He has lost his last dollar.
Producer
Mary is only the assistant housekeeper of the ranch, but she has a heart as big and faithful as a queen's. Bob, who has been turned from home by his uncle because he has his own notions of marriage, comes to the ranch and Mary falls in love with him. Bill Rank, the foreman, contrives to ruin Bob's good name and make him "do time." Mary is faithful to Bob and makes a big sacrifice to help him in his trouble. Times are dark for a while, but Fate works things out at last. Bill Rank is hurt in a runaway, and, looking death to the face, he confesses the truth. Bob's good name is restored, he marries Mary, and, to cap the climax, he falls heir to a fortune.
Producer
Bill Sanders, sheriff of Alkali County, gets a warrant for Red Rube, the tough. He gives it to his deputies to serve, but Rube gets busy with the strong arm and makes them look like monkeys. When several installments of deputies have failed, Bill Sanders gets on the job himself. Bill not only knows how to juggle the 44 Colts, but he keeps gray matter in his skull. In going after Red Rube, he decides to rely on his brains instead of his hardware. He disguises himself as a tenderfoot, arms himself with a camera, and gets on Rube's trail. Things are warm and lively thereafter, but Sanders gets his man, and the honor of Alkali County is preserved.
Producer
The punchers of the XL outfit are wild with joy, 'cause Mary, the idol of the ranch, is comin' home from college. Billy James is Mary's special friend, and goes to bring her from the station, but, suffering snakes! Look what's traveling with her, his nobs, "Sir Percy Granville," who owns the nearby ranch. This gets Bill's goat for a time, but Mary rides and "ropes" with the punchers, and soon shows them she is the same genuine, good-hearted Mary, and doesn't care a whoop for Sir Percy. Sir Percy insists on sticking around, however, and shows his true nature by striking Mary's younger brother, Bobby, when he defends his sister from insult.
Producer
"I do hate learnin', but oh! you schoolmarm!" is what the boys at the gulch said when Mary came to town; and, from "Big Bill" down to Hop Lee, the Chink, they all took to study, and to courtship. The rivalry is friendly until the new foreman blows in and takes the inside track, then "Big Bill" gets jealous. At the swell (?) reception the foreman cuts Bill out and Bill decides to "lay for him." The foreman soon discharged a greaser who later robs the paymaster and contrives to fix the blame on the foreman.
Producer
Margie, of the "Flying B" ranch, knew it was to run across a snake in the tall Texas grass, but she did not realize that there are people who, like snakes, conceal themselves until they are ready to sting. Consequently, when a sleek looking tenderfoot asked to become a boarder at the "Flying B" Margie favored him, though her father was suspicious. Margie is soon smitten with the stranger, much to the chagrin of Jack, the foreman, with whom Margie had previously been very friendly. Jack does not get ugly over the matter, but keeps his eyes open.
Producer
Nell, an independent and somewhat obstinate girl, receives an invitation to attend a dance. She asks her mother for money to buy a new dress. Her mother, a hard working woman, who has to toil from morn to night, feels that her request involves an unnecessary extravagance and she denies it. Nell answers her sharply and leaves in a sullen mood. While working in the hot, broiling sun, the mother is overcome with the heat.
Producer
Bob Ford, a young college graduate and a man-about-town, self-willed and wild, who tries his father's patience and generosity by going the limit, is called to a sudden halt by the old gentleman and sent out west with his valet to work on Jones' ranch in Texas and prove to his father that he is not a hopeless renegade. Bob arrives in Texas with his valet, whom he tells to take his place and pretend that he is Bob while he, Bob, will pretend to be the valet. Mr. Jones has a very pretty daughter, Flora, for whom her father feels some anxiety about coming in contact with a young city fellow, college bred like Bob, fearing that she will fall in love with him.
Producer
From force of habit, some might call him a "Greaser," true, he is a Mexicano; he is no more, a man of noble instinct and chivalrous nature. He falls in love with the American ranchman's daughter, and while she appreciates his sincerity, she does not return his affection for her. Tony not only loves, he respects her, and will not inflict his attentions upon her, and will not inflict his attentions upon her, neither seeking recognition nor reward.
Producer
If John was half the man that Molly is, she and her father would have been a great deal better off. Molly by her industry and ambition has saved up five hundred dollars to go to college and complete her education; she is very proud of her achievement. John is a young fellow with extravagant idle notions, who refuses to hold his jobs as a skilled mechanic and insist upon spending his time in rambling and dissipation. Molly loves her brother and tries to induce him to mend his ways and make a man of himself.
Producer
Mary is from Boston, and she doesn't just take to the cow punchers as she would to the "rah-rah boys" of the Hub. Bill, who is a fellow of no small caliber, is looked upon by his companions as a sort of leader, feels a little miffed, but acknowledges she is the real goods and has some occasion to feel proud of herself; at the same time he won't stand for her snubs. The punchers await developments and make up their mind what can't be cured must be endured. The Captain, a classy chap, from a neighboring ranch, puts in his appearance, and asks Mary to go riding with him.
Producer
The cook has been the bane of many a family, but when it comes to stirring up a western ranch and getting the goats of the cowpunchers there is going to be something doing, and the doing of the something is full of interest, to wit: The cook is not satisfactory and the boys strike for a new "chef." They appeal to the boss and he promises them relief, and it is not long in coming from San Antonio in the person of a very swell fussy French guy, whom they look upon as a huge joke.
Producer
Lorna is a woman and she is all business when it comes to running the "L.L." Ranch and she has no trouble in handling it and the "boys" who work for her, especially "Jeff," her foreman, who gives her a hand. She evidently appreciates his services and thinks him a handy and pleasant fellow to have around, her "Runs" are the best in Texas. There is a question of title to her land. Finally the Supreme Court decides against her and she is obliged to turn the "L.L." Ranch over to Sir Reginald Coutts-Harcourt, in whose favor the decision has been made.
Producer
The local organization of Suffragettes is in session. Its motto is "Equality with Men." It passes a resolution to demand from the mayor a job in one of the city departments. "Just in time," says the mayor, "the fireman have gone on stroke. I give your organization charge of the fire department." The Suffragettes are elated, but the firemen can only construe this latest order of the mayor as a huge joke, so if a joke is to be played, they're going to be in it, too.
Producer
The stage appeals very strongly to the child of temperamental nature and often it dreams of the glory and fame attending success. Little Alice is a child of this kind and although she is surrounded by the most meager, even poor circumstances she has a great desire to be an actress. Her mother, who takes in washing, sends the little girl to deliver a large basket of clothes. Struggling along the street she stops at the theater to look at a display of photographs of actors and actresses who are appearing there. She loses herself in reverie; while thus engaged the leading lady, whose picture particularly attracts the child's attention, arrives for rehearsal. She speaks to Alice, becomes interested in her and gives her two tickets for the afternoon performance. Pleased and delighted with the gifts she rushes home to her mother who takes the tickets from her, scolds and whips her for not attending to her errand.
Producer
Look before you leap, at hasty conclusions. Nell is a sweet girl and Bob is a good fellow; Nell is a typical Texas girl and Bob is a comparative newcomer to the west.
Producer
A short silent film produced by Gaston Mèliès in San Antonio.
Producer
All is fair in love and war but when we go into it we must take our chances. A Mexican beauty, fascinating and venturous, is in love with a young Mexican, willing to do and act for him regardless of her own safety and reputation. The Mexican is playing cards with a party of cowboys, is aided by his inamorata in passing an extra card into his hand in order to cheat his opponents.
Producer
Denton, a young easterner, arrives in the gold-fields, looks about for a "find" and a partner. Entering a saloon, he partakes of some refreshment, watches the patrons of the place and studies their characters, while thus engaged a young miner, named Harper, somewhat prejudiced against easterners, engages in a quarrel with a Mexican who is about to plunge a knife into the miner when Denton seizes his wrist and wrenches the weapon from his grasp. Harper thanks Denton, and after learning the eastern man's desire to find a prospecting partner, Denton loins forces with him and they start in to work a lead and strike paying dirt.
Producer
Nora, who is the president of the Bachelor's Club, receives a letter announcing the death of her uncle in the west and that he has made her heir to his immense fortune. Including a ranch at Grey Oaks. Nora decides to go west and take charge of the ranch and run it herself a la suffragette fashion. She invites all the girls to go with her and they start for their new home. Arriving at Grey Oaks they pay no attention to the cowboys who greet them at the station but go at once in the old stage-coach to the ranch. The cowboys follow, approach the ranch, offer their services and are rewarded by being driven from the premises. The boys make up their minds to "get next" to the girls and devise a scheme.
Producer
A young corporal in the United States Cavalry in the Black Hills is very much in love with a young ranchman's daughter who lives near the military barracks. He asks her to marry him and she promises to do so when he has won his third stripe, making him sergeant. It is not long before he receives an assignment from his superior officer to carry an important dispatch to the commanding general at Fort Darrow. In the successful fulfillment of his mission he would be promoted to the office of sergeant, secure his third stripe and his girl.
Producer
In the mountain wilds of Tennessee there is no end to the manufacture of moonshine whiskey. Whole families live on this nefarious trade and many of them die by it. The men who work at this business are constantly hunted by United States revenue officers as violators of the law for manufacturing of liquor without a special license. The "Mountain wife" loves her husband and stands by and shields him from his enemies, the officers; when they are on his track she hides him, then throws them off his trail, giving him time to escape in the mountain fastnesses, as we are shown in this interesting and thrilling picture.
Director
In the mountain wilds of Tennessee there is no end to the manufacture of moonshine whiskey. Whole families live on this nefarious trade and many of them die by it. The men who work at this business are constantly hunted by United States revenue officers as violators of the law for manufacturing of liquor without a special license. The "Mountain wife" loves her husband and stands by and shields him from his enemies, the officers; when they are on his track she hides him, then throws them off his trail, giving him time to escape in the mountain fastnesses, as we are shown in this interesting and thrilling picture.
Producer
"Business is on the Fritz," nothing to do but complain and everything seems to be going to the "demnition bow-wows." "If things get much worse I'll close up," says the restaurateur to his waiter. "And I'll give up me job," says the waiter, "if I can't get any money out of the place." What's that? It's a "joy wagon" with a crowd of tourists: they're headed for the restaurant. Immediately the proprietor and the waiter hurriedly get a move on and hustle our to receive the guests who are soon conducted into the dining-room, served, dined and wined with alacrity that is almost magical. The host and his waiter are all smiles and are astonished as well as pleased at the liberal way in which their customers order everything and anything.
Producer
Mrs. Damm and her children are seated on the porch when the postman arrives with a letter stating that their wealthy uncle would visit them. Mrs. Damm hustles the children into the house and they all get busy tidying things up for the expected guest. The boy feels the importance of the event but his sister is so lackadaisical she can't enter into the spirit of the occasion. Mrs. Damm, in addition to numerous other provisions, goes to the cigar store and orders a box of "perfectos" sent home. The tobacconist wraps up the box of "smokes" and lays them beside a box of trick explosive birthday cigars ordered by a previous customer, placing the name and address of each customer on the respective boxes.
Producer
A short silent film produced by Gaston Mèliès in San Antonio.
Director
A short silent film produced by Gaston Mèliès in San Antonio.
Producer
A short silent film produced by Gaston Mèliès in San Antonio.
Director
A short silent film produced by Gaston Mèliès in San Antonio.
Producer
Full of booze, bluster, and fight "Black Pete," a big "bad man" of the wild west comes from the local saloon ready to put daylight through anybody and everybody within the range of his voice and the reach of his gun and, to further convince the crowd that he is the terror of the territory, lands on an inoffensive bystander knocking him down. "Billy" is an entirely different sort of a citizen; he is a young chap living with his sister whom he loves very dearly; their love is mutual. Billy has received a letter and stops on his way home in an opening in the woods to read it. While thus engaged, an Indian girl is making her way through the woods. "Black Pete" coming along the pass sees and attacks her. Billy springs to her defense and knocks "Pete" down; in falling he strikes his head on a stone and is killed.
Producer
Just plain Mary Ann, that's all, but there is something about this little country girl which stamps her as the right sort, with grit, grip and gumption to distinguish her among the famous men and women of the twentieth century, or any other century for that matter. Her father is a faithful old servant in the employ of the D.&C.R.R. as a signal man in a tower on the lonely stretch of the track at very important junction. After his day's work, Mary Ann, who has studied telegraphy and likes to practice, comes to the tower to go home with her father, after the night signal man comes to relieve him. The night man is somewhat delayed and her father leaves Mary Ann at the signal station while be goes home to get his supper and rest.
Director
Just plain Mary Ann, that's all, but there is something about this little country girl which stamps her as the right sort, with grit, grip and gumption to distinguish her among the famous men and women of the twentieth century, or any other century for that matter. Her father is a faithful old servant in the employ of the D.&C.R.R. as a signal man in a tower on the lonely stretch of the track at very important junction. After his day's work, Mary Ann, who has studied telegraphy and likes to practice, comes to the tower to go home with her father, after the night signal man comes to relieve him. The night man is somewhat delayed and her father leaves Mary Ann at the signal station while be goes home to get his supper and rest.
Director
The saying, "If you want to catch a bird put salt on its tail," is a pleasantry of such long standing it is familiar to every man, woman and child in existence. It furnishes a theme for this well-drawn and lively drama of home life, a tramp's gratitude and the cordiality of the little child who loses through an accident the canary bird which was given her by her father. A tramp calls at the child's home for a "hand out." The mother gives him something to eat, the child provides him with a loaf of bread and sends him on his way rejoicing. Shortly after the tramp has taken his departure the little girl tries to hang the cage with the bird in it on a nail on the porch. The cage falls to the ground and the bird escapes. Her mother is provoked and reprimands her for her carelessness.
Producer
The saying, "If you want to catch a bird put salt on its tail," is a pleasantry of such long standing it is familiar to every man, woman and child in existence. It furnishes a theme for this well-drawn and lively drama of home life, a tramp's gratitude and the cordiality of the little child who loses through an accident the canary bird which was given her by her father. A tramp calls at the child's home for a "hand out." The mother gives him something to eat, the child provides him with a loaf of bread and sends him on his way rejoicing. Shortly after the tramp has taken his departure the little girl tries to hang the cage with the bird in it on a nail on the porch. The cage falls to the ground and the bird escapes. Her mother is provoked and reprimands her for her carelessness.
Producer
John Stuart, a young business man of the east, comes to San Antonio to locate for the good of his health. While walking about the city he sees an old padre, or priest, fall from sunstroke. Young Stuart runs to his assistance. At the same time, Marion, a young heiress, is passing in her automobile and stops to lend aid to the stricken man. They lift him into the auto and young Stuart is invited to ride with them to the Mission, where the priest lives. Thus an acquaintance is formed which ripens into an engagement between Marion and John Stuart.
Director
John Stuart, a young business man of the east, comes to San Antonio to locate for the good of his health. While walking about the city he sees an old padre, or priest, fall from sunstroke. Young Stuart runs to his assistance. At the same time, Marion, a young heiress, is passing in her automobile and stops to lend aid to the stricken man. They lift him into the auto and young Stuart is invited to ride with them to the Mission, where the priest lives. Thus an acquaintance is formed which ripens into an engagement between Marion and John Stuart.
Director
He's a regular "fan" and studies the baseball news as carefully as some people do their Bibles. He comes to breakfast with his dear little wife and finds his morning paper as usual at his plate. "By Jove!" he shouts, as he glances at the news, "a game this afternoon." Then he begins to wax eloquent about the strikes, flies, home runs and base hits, putting his hand in the hominy, knocking the coffee pot from the table and winding up his exposition by pulling the table-cloth off and everything else with it. He has gone the limit and wifey can humor his craze no longer. She swoops down upon him with an umbrella and gets in some "swats" that nearly knock the cover from his dome. He makes a run for the office with a deep laid plan to go to the ball game by pretending he has a toothache.
Producer
He's a regular "fan" and studies the baseball news as carefully as some people do their Bibles. He comes to breakfast with his dear little wife and finds his morning paper as usual at his plate. "By Jove!" he shouts, as he glances at the news, "a game this afternoon." Then he begins to wax eloquent about the strikes, flies, home runs and base hits, putting his hand in the hominy, knocking the coffee pot from the table and winding up his exposition by pulling the table-cloth off and everything else with it. He has gone the limit and wifey can humor his craze no longer. She swoops down upon him with an umbrella and gets in some "swats" that nearly knock the cover from his dome. He makes a run for the office with a deep laid plan to go to the ball game by pretending he has a toothache.
Producer
He has fought his last fight and the prize-ring will know the old pugilist no more. Knocked out by an organic disease, he is in a bad way not only physically but financially. He has an interesting daughter, a bright boy and a good wife who are well thought of by the people of the neighborhood in which they live, among whom is a young minister. The doctor who attends the old boxer sees that nothing but a complete change to some warmer climate will benefit the patient and also recognizes that under the circumstances the change would be impossible unless someone comes to his assistance with the necessary money to defray the expense. The physician writes a note to the young clergyman telling him of his diagnosis of the case and his conclusions. The young divine hastens to see the sick man.
Producer
Getting his laundry from the Chinaman, "Honest Jim" spruces himself up in preparation to make a call on "Bess," with whom he is in love. Calling at Circle Ranch, her home, he finds Jack Rance making overtures to her father for "Bess' " hand. She greets Jim pleasantly, but she dislikes Jack; there is something about him which is distasteful to her and when her father intercedes for him she leaves the porch and hurries into the house. She does not have to wait very long to see "Jim" and "Jack" in their true colors and make a choice between the two. The clergyman of the ranch settlement and the .surrounding country comes to the post office where a crowd of cowboys are gathered to receive their mail.
Producer
Anxious to escape the strain of business and seek diversion and recreation, Robert asks his father to give him a vacation for a few days' rest. The father, who is absorbed by his business affairs, one of the old school plodders, reluctantly grants the son's request and the young man hurries from the office, packs his grip and hustles for the train. On his way he makes the acquaintance of a very charming lady, who is hound for the same place as himself. Arriving at their destination he offers to carry her grip and she accepts his proffered kindness. Loaded down he follows her to the hotel where he gladly deposits the luggage to escape a complete collapse from exhaustion. He finds his "acquaintance" very winsome and attractive.
Producer
After graduating from an Indian school where he has acquired an education and schooling in the ways of the white man. Ta-wa-wa, a young Indian, returns to his native territory and far western home. On the way to the tribe's encampment he stops at Vail's ranch, meets Kawista, his boyhood sweetheart, who greets him cordially and with a frank admiration for his gentlemanly appearance. While they are exchanging greetings the postman enters and hands a letter to Mr. Vail from Col. Leigh, an Englishman, stating that he will visit the ranch with Lord Wyndham, an English lord who expresses a desire to see a real Indian powwow.
Producer
Mrs. Bargainday reads of a bargain day sale, takes her baby and starts for the sale to avoid the rush. Arriving at the store she meets at the door Mr. Jones and requests him to hold her baby for her while she goes inside to do some shopping. He consents, supposing she will only be a few minutes, and while standing there with the baby in his arms several of his lady friends, attracted by the bargain sale, pass him by with surprise, and others entirely ignore him or smile with amusement.
Producer
The West Texas Borax Company is practically insolvent. John Graham, the president, has been unable to find the white mineral in sufficient quantities to satisfy the eastern stockholders, and a letter from his partner arrives which brings the disagreeable news that their backers are about to back out, unless, in the language of Missouri, they "are shown" something. Graham is in a quandary, and appeals to his stenographer for advice. That young woman has had so little to do in, the office that she is overcome with surprise and confusion. The postman enters and hands Graham a letter and a package. Listlessly the president opens them, but his manner changes and he leaps to his feet with a whoop of joy. There is a chance of saving the company.
Producer
When our picture opens, Joe Flynn, a rider in the service of the government, has been shot from ambush by a masked man and is dying. Grouped at his bedside are his son Jack, a sturdy young man, the local doctor and the county sheriff. The old man dies and a week later we see Jack delivering the mail. The sheriff has inserted the description of the murderer in the Yuma Gulch Herald, and the country is being scoured to find him. Jack has a long and perilous ride between the two points of his route and is frequently beset with danger. Steve Benson, a desperado, who has killed old man Flynn, is living unhappily with his wife in hourly fear of having his crime discovered.
Producer
A Navajo Indian has crossed the great desert, and his water bottle has been emptied. He is in a frenzy from thirst and sees mirages of water everywhere. He comes upon Nat Perry, a young settler, who is conveying his household goods across the burning sands. Perry has just taken a drink from his precious canteen when the Indian falls at his feet and implores a little water. The young pioneer heartlessly turns him over with his foot and leaves him to die.
Producer
The cowboys and gamblers of Curzon are very much interested in a placard which appears one day in the saloon, giving the information that the Rev. A.B. Cole is due to arrive from Glue Gulch, and that services will be held in the schoolhouse. The cowboys plan to give the preacher a warm reception, but are surprised and chagrined when the new minister turns out to be a pretty woman. The immediately apologize and agree that religion must be a good thing if taught by such a charming woman. The attendance at the schoolhouse is large, and the barroom is almost deserted. The bartender is in despair and is on the point of closing out his business. He is urged against this, however, by one steady patron, Joe Lane, who tries his best to bring the deserters back into camp.
Producer
Tony Valero, a lusty young vaquero, is enamored of Clarita Montes, whose father is fairly well off, as the middle class Mexicans figure. Clarita prefers Tony to her numerous admirers, but the father has selected, for his future son-in-law, a young dandy called Jose Rodreguis, who has a certain amount of money which allows him more ease than his neighbors. Jose trades upon this fact and presses his attentions upon Clarita. He bitterly resents her preference for Tony and does all in his power to belittle his rival.
Producer
This is a sentimental little story of Mr. J. Booth Walker, a stranded thespian of the "legitimate drama." who has been touring the west with a company presenting "Othello." The company has yielded to the stress of bad business and has closed, while Mr. Walker, finding no easier way to return to Chicago, is counting the ties along the railroad. He comes to a small station, where several half intoxicated cowboys are assembled, and the idea comes to one of them that Mr. Walker be made to do a "stunt." They fire at his feet until he dances, but he is so adept at the graceful art of Terpsichore, that they soon watch him in admiration, and reward him with liberal applause.
Producer
It is a beautiful morning in Indian Summer, and White Doe is out in her birch bark canoe, engaged in a fishing expedition for food. She paddles home under the overhanging trees and vines, lights the small fire in front of her tepee and cooks her primitive breakfast. The air is bracing, the birds are singing, life is free and good. Also White Doe is happy for she had caught a gleam of admiration in the eyes of a stalwart cowboy, when she visited a ranch a few days before with her offering of plaited baskets and the famous blankets of her Navajo tribe. She begins her work of basket weaving, dreaming the love dreams of her people and her heart singing with coquetry and the happiness of conquest, for she is also loved by a brave of her tribe, a wealthy son of a chief with a hundred horses.
Director
The story centers on a gregarious but rather undependable man whose attentions to a young gypsy woman lead to complications for them both.
Un joueur de cartes
Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.
Producer
John Burton met Bessie Fields on her way home one day, and was for making love to her right then and there, but for the interruption of Crazy Joe, a half-witted boy, who always seemed to get in wrong. Burton was incensed, and, although Bessie protested, applied his whip to the demented boy, when Steve Ross, Bessie's sweetheart, happened along and rushed to the boy's rescue. Steve saw that Burton's attentions were not welcomed and ordered him off the scene. Next day, both went to Mr. Fields, and proposed for Bessie's hand. When Burton learned that Steve had been accepted, he rushed from the house, fired back upon it, and fled. Of two shots spent, one hit and killed Mr. Fields.
Director
Producer
Producer
Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.
Director
Producer
Producer
Braggs, the young western settler, comes into view leading his broncho while he leads his little child on the horse's back. Placing the child on the ground and watering the pony, he takes his knife from his pocket to make an extra hole in the saddle strap. The knife slips and penetrates his wrist, severing an artery. His wife comes to his assistance, makes a tourniquet with strips of her apron, jumps on the broncho's back, bids her husband to care for the child and keep up courage while she rides to town for the doctor.
Producer
"Swift Arrow, a lithe and willowy Indian, leaving the encampment of his fellow braves, is well on his journey when he is thrown from his horse and receives a broken leg and injuries from which he is disabled and lies helpless and alone." -Moving Picture World Synopsis excerpt
Producer
A short silent film produced by Gaston Mèliès in San Antonio.
Producer
Producer
A short silent western produced by Gaston Mèliès in San Antonio.