Albert E. Smith

Young Irish physician Peter Blood is exiled as a slave to Barbados, where he and his friend Jeremy are purchased by Colonel Bishop at the behest of his niece Arabella. With other slaves he captures a Spanish galleon and becomes the terror of the Caribbean privateers until offered a commission in the English Navy. He defeats the French at Port Royal, and as a reward he is named governor of Jamaica and marries Arabella.

The Midnight Cabaret is a 1923 American film directed by Larry Semon and featuring Oliver Hardy.

A Pair of Kings is a 1922 American silent comedy film featuring Larry Semon & Oliver Hardy.

A harried propman backstage at a theater must put up with malfunctioning wind machines, roosters that spit nitroglycerine, and a gang planning to rob the theater's payroll.

A bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.

A government official staying in a hotel puts some important secret papers in the hotel safe. A ring of spies out to get the papers manages to steal them from the safe, and a lady government agent enlists the help of the hotel's bumbling bellhop in getting back the papers and breaking up the spy ring.

Larry falls afoul of wanted criminal Gentleman Joe, who runs a saloon full of tough guys and gunslingers.

Well-meaning but accident-prone bakery employee Larry is involved in numerous slapstick mishaps on the job. After accidentally causing the bakery owner to fall into a vat of cake batter Larry finds his job in jeopardy, but he redeems himself by foiling a robbery planned by the bakery foreman.

The Rent Collector is a 1921 American silent comedy film featuring Larry Semon & Oliver Hardy.

Jimmy Aubrey lets the kids in the alley shoot arrows at him. After he grows tired of this, he treats them like satchels to get them out of his way. A policeman shows up and he is terrified; later, disguised as a policeman, he encounters Oliver Hardy, who is in brutal mode here.

Jimmy Aubrey and Oliver Hardy comedy produced by Vitagraph.

Hidden Dangers is a 1920 serial film.

The Silent Avenger is an American silent action film

When sawmill owner Helen Cole is kidnapped by bandits, it falls on lumberjack Dan Stevens to rescue her, but "Wirenail" Hedges is not willing to give up without a fight. Originally a fifteen-episode serial, all that is known to survive of "Smashing Barriers" today is this single reel abridgment created for the home movie market in 1932.

A welcome guest of the French aristocracy, Monsieur Picard having been awarded the Croix De Guerre, is also a master thief who baffles the Parisian police. One night, while Picard watches an Apache dance, he learns that one of his three adopted children is seriously ill. When his car breaks down, Picard politely forces Helen Deprenay to loan him her auto, and leaves his cross as security. The next day, the police pursue Picard to the Deprenay home where the prefect warns Helen about Picard. Helen writes to the entreating Picard, and refuses to see him until he proves himself of worth to society. Disguised as Scotland Yard agent Armand DuBois, Picard is present at the Deprenay home when a necklace is stolen. After Helen covers for him, Picard catches the thief in an attempt to swindle the entire community in a stock market scheme. He informs the police that Picard no longer exists, and escapes with Helen to a new life.

movie serial

Bears and Bad Men is a 1918 silent comedy film directed by Larry Semon[1] and featuring Stan Laurel.

An adventure serial released in 1918

An adventure serial released in 1918

Senator Carter's daughter leaves home and enters the employ of the Vitagraph Company as an actress. After waiting wistfully for her return, Senator Carter passes a theatre one day and sees his daughter featured in one the "Movies." He goes to the studio and after being shown through the plant he finds his daughter and reconciliation takes place. Besides being an interesting drama, the picture shows in detail the entire plant of the Vitagraph Company.

More a cautionary moral tale than anything else, Conscience makes use of a setting that was to become a horror movie favourite: the chamber of horrors. Persuaded to elope by her lover Eric, Eleanor Donelly defies her police officer brother to go to New York, where the young couple are married. Soon deserted by Eric and desperate for food for her baby, Eleanor tries to steal a bottle of milk. Fleeing in terror from a policeman, she takes refuge in a chamber of horrors. Coincidentally, fallen among disreputable companions, Eric has meanwhile accepted a wager daring him to spend a night in the same chamber of horrors. In the morning, seeing Eleanor in the shadows as she wakes and rises, Eric dies of fright while Eleanor goes mad.

A woman replaces her injured beau on a spy mission.

A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.

Persons who have visited the "Hub," no doubt carried away with vivid recollections of Boston's famous system of Underground Transportation and this film takes the audience from the bright sunshine into the dim obscurity of the subway. The Underground stations and rows of Electric Arc lamps are plainly shown and, after traversing the tunnel for a considerable distance, the car finally emerges opposite the railroad depot.

A pretty and natural picture in which the principal actors are two tiny tots who are evidently not a bit afraid of the briny deep as they splash around in the waves in very evident delight and enjoyment. The water effects are splendid and this is a beautiful subject of "Child-life." We recommend this to make a hit with any audience.

James J. Jeffries throwing the medicine ball. An absolutely perfect picture of the champion heavyweight of the world.

In the center of the ring the trainer forms a pile of baskets many feet in height. Greyhounds leap in rapid succession, forming a graceful arch and landing on the ground as lightly as so many feathers. The position of the camera was a most happy one, as the dogs appeared to leap directly toward the audience and the film is both beautiful and exciting.

As the above title indicates, the scene does not take place in an ordinary restaurant, but one in which all natural rules of order and gravitation are reversed. The couple above mentioned have a most trying experience while endeavoring to partake of a square meal. They find themselves flying about the room from chairs to table, and vice versa, until they are both completely bewildered, ending in a general mix-up, which is sure to provoke much merriment.

A magician steps upon the stage carrying a hoop covered with white paper. Then in quick succession the flags of Germany, Russia, Ireland, England and China are brought forth, and from each a soldier is produced corresponding with the flag of each nation. The magician adds a bit of comedy to the scene by producing a decidedly Hibernian policeman from the flag of Erin's Isle. The magician then waves his hand and the flags of all nations slowly dissolve and blend into one huge American flag.

Although we are led to believe that the ancient alchemists were all powerful, this picture somewhat reverses the order of things...

A magician steps upon the stage carrying a hoop covered with white paper. Then in quick succession the flags of Germany, Russia, Ireland, England and China are brought forth, and from each a soldier is produced corresponding with the flag of each nation. The magician adds a bit of comedy to the scene by producing a decidedly Hibernian policeman from the flag of Erin's Isle. The magician then waves his hand and the flags of all nations slowly dissolve and blend into one huge American flag.

A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.

A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.

This is a new adventure in which our friend, Mr. Hooligan, appears in an entirely new capacity. On a stage a professor of magic is performing some wonderful experiments, and when he requests some assistance Happy Hooligan immediately volunteers his services and climbs upon the platform.

This shows the heart of one of the tremendous drifts in the east end of Galveston. Hundreds of dead bodies are concealed in these immense masses, and at the time the picture was taken the odor given out could be detected for miles. The subject shows a gang of laborers clearing away the debris in the search for corpses, one of which was discovered while the picture was being taken. (Edison film catalog)

During the terrific storm all of the light craft along the dock front was lifted out of the water and washed up into the streets, many of them being carried for miles inland. This subject shows a number of boatmen who have banded together to get their craft back into the water, a panoramic view being taken of the schooner as she glided sideways down the improvised ways, forming a very interesting subject. 60 feet. $9.00.

This picture shows several buildings which were wrecked and also shows a rear view of this hotel, which is on the highest point of land in Galveston, and in which several thousand people were saved.

This picture shows the remains of one of the docks, several freight cars being piled one upon the other, while the most interesting part of the picture shows two schooners literally smashed one into the other, forming a most picturesque mass of wreckage.

This is the building in which so many of the poor orphans met their death. The place is completely dismantled. In addition to the orphanage is shown one of the principal streets in Galveston blocked with overturned houses and other materials.

At the first news of the disast by cyclone and tidal wave that devastated Galveston on Saturday, September 8th, 1900, we equipped a party of photographers and sent them by special train to the scene of the ruins. Arriving at the scene of desolation shortly after the storm had swept over the city, our party succeeded, at the risk of life and limb, in taking about a thousand feet of motion pictures, although Galveston was under martial law and photographers were shot down at sight by the excited police. The series, taken as a whole, gives a definite idea of the most terrible disaster since the Johnstown flood of 1889.

It's what it says on the label: a panoramic shot of East Galveston, right after the Storm of the Century came through, ripping up trees and destroying house like they were made of cards. Then, a decade and a half later came another Storm of the Century for Galveston.

In a charming dining room a very attractive young lady is seen seated at the table, evidently waiting for the caller who is to share a quiet little dinner for two. A moment later a dude of the regular chappy type enters and seats himself at the table. As soon as the meal commences the inevitable wicked small boy sneaks in unobserved, and producing a piece of rope ties one end securely to the dude's coat tails and fastens the other to the table-cloth.

This building and machinery supplied the electric power and electric light for the entire city of Galveston, including the car system. The building, which is of solid masonry, is a complete wreck, and together with the twisted iron work of the machinery, shows the tremendous power of the cyclone.

A countryman goes to see a spiritualist and is frightened by what he sees.

The Shamrock is seen after its defeat in the 1899 America's Cup, along with the Erin, which served as its tow boat across the Atlantic.

Shows the efficiency of modern life-saving methods and apparatus now in use by the fire departments. Shows the front of a building burning and two ladders raised against it. Through a thick cloud of smoke and sparks membes of the fire companies are ascending. Entering the windows they pass unfortunate occupants to their comrades, who in turn take them safely to the ground.—Edison Catalog

This picture shows the Columbia crossing the line, leading the Shamrock by about 1/2 mile. The Shamrock is plainly seen in the distance and she later comes up and crosses the line in the same picture.

"Down goes the Spanish flag, and up floats the Stars and Stripes. Down falls the symbol of tyranny and oppression that has ruled in the new world for four hundred years, and up goes the Banner of Freedom. In the distance are the turrets and battlements of Morro, the last foothold of Spain in America."

The Astor Battery became famous after the Spanish-American war and these young men are on display in this Edison short, which was shot on Saturday, January 21, 1899. We see a parade cross Broadway onto Union Square with the mounted police, the band and then the Astor Battery. The footage of this short is still in very good condition, which adds a lot considering how little footage is available of these men.

There is a burglar on the rooftop of a Manhattan office building, and he is trying to break in. Two women spot him, and one of them begins beating him with a broom as they wait for help to arrive. Soon others do appear on the scene to help, but by now the burglar has decided that he is going to put up a fight in an attempt to escape.

The Humpty Dumpty Circus is the firt animated short film created in stop-motion technique. It features a circus with acrobats and animals in motion.

It opens with a crowd of children leaving school and marching through the streets to the "Humpty Dumpty Circus." We see them crowd into the tent and at the end of each act they vociferously applaud the performers These are the little wooden toys that are familiar to all, and which are made to perform all the usual acrobatic stunts of the circus performer in a remarkably realistic manner. Some of the scenes are really comical and it is hard to believe that the elephants and donkeys are not alive.