Self (archive footage)
A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.
Director
The video film is the first on Pier Paolo Pasolini, poet and writer in which only the author appears and only his voice is heard: the reading of his verses alternates with interventions on poetry and life. There are very few films on Pasolini writer (those on Pasolini director are frequent) and very few readings of his poems, a lack that has been solved with very rare recordings on disk and radio.
Director
ブルジョワの娘デシデーリア（ララ・ウェンデル）はある日美しい養母ヴィオラ（ステファニア・サンドレッリ）の情事を目撃し、彼女から自分が売春婦から買った娘であることを知らされショックをうける。自殺をはかるが未遂に終ったデシデーリアは、その事件をきっかけに内面的にも外面的にも大きく変化してゆき、バイセクシャルのヴィオラは彼女の美しさに心惹かれるのだった。同時に数多くの男たちがデシデーリアの周りに集まってき、ある日ヤクザ者のジゴロ、エロストラート（ヴィットリオ・メッゾジョルノ）と出会ったデシデーリアは、彼がヴィオラの愛人になるように企み、彼女を誘拐し身代金を奪おうと計画するが、実行の日エロストラートは、呼びよせた仲間のテロリスト（オルソ・マリア・グエッリーニ）に、警察のイヌである自分の正体がばれ、射殺されてしまう。いつしかエロストラートを愛していたデシデーリアは、混乱の中でテロリストを射ち殺し、そして二人が相撃ちしたかのように細工をした後、ヴィオラの待つ車に乗り込み、その場を後にするのだった。
Screenplay
ブルジョワの娘デシデーリア（ララ・ウェンデル）はある日美しい養母ヴィオラ（ステファニア・サンドレッリ）の情事を目撃し、彼女から自分が売春婦から買った娘であることを知らされショックをうける。自殺をはかるが未遂に終ったデシデーリアは、その事件をきっかけに内面的にも外面的にも大きく変化してゆき、バイセクシャルのヴィオラは彼女の美しさに心惹かれるのだった。同時に数多くの男たちがデシデーリアの周りに集まってき、ある日ヤクザ者のジゴロ、エロストラート（ヴィットリオ・メッゾジョルノ）と出会ったデシデーリアは、彼がヴィオラの愛人になるように企み、彼女を誘拐し身代金を奪おうと計画するが、実行の日エロストラートは、呼びよせた仲間のテロリスト（オルソ・マリア・グエッリーニ）に、警察のイヌである自分の正体がばれ、射殺されてしまう。いつしかエロストラートを愛していたデシデーリアは、混乱の中でテロリストを射ち殺し、そして二人が相撃ちしたかのように細工をした後、ヴィオラの待つ車に乗り込み、その場を後にするのだった。
Story
A pair of twins, Anna and Tony, leave their country to go to Rome to make their fortune. Anna knows how to sing and Tony knows how to dance. They suffer many setbacks, but they are willing to go the distance in order to succeed.
Production Design
In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.
Producer
In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.
Co-Producer
This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.
Director
Expedito, after being abandoned by his parents, became Zefa's adopted son until he became a man and started earning his living as an independent fisherman. As soon as he finds out that Zefa is very ill, Expedito runs back home and finds his adoptive mother in agony. At the edge of the bed, a mysterious woman, who claims to be Death, sits.
Producer
A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.
Producer
A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.
Producer
After a fight in their apartment, the story of a writer and a painter are divided. The writer is dedicated with his partner Manon to provoke continuous accidents in a field in which car carcasses abound. The painter is recruited to kill, through a poisoned picture, the old Arden to allow the latter's wife, Alice to live with her lover Mosbie.
Associate Producer
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.
Producer
Producer
A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.
