Ramesh Joshi

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This film is considered to be Ghatak's autobiographical film.

A romantic comedy about a series of clashes between the female residents of a ladies' hostel Basanta Bilap, and four boys of the neighbourhood, aided and abetted by their boudi (sister-in-law).

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

The tragic story of the beautiful daughter of a middle-class refugee family from East Pakistan. Neeta, the protagonist, sacrifices everything for her unappreciative family.

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

Ramu, eldest son a family of migrants, is a fresh graduate searching for a job like many others in post-partition Calcutta.