Basir Ahmed

A patriotic doctor lends moral backbone to the broken society of Bengal.

A romantic comedy, where a newlywed couple and their friend pulls a prank on the bride's unsuspecting elder brother and his wife. The groom poses as the driver for the family and the friend poses as the groom. What ensues is an all-time classic of Bengali Cinema.

A promising artist and a singer fall in love in college and get married against their families' wishes. The singer soon begins performing to support her husband and becomes nationally renowned. On the other hand, the artist fails to earn a livelihood and becomes alcoholic.

While on vacation, art teacher Seema Rai meets a charming stranger called Narayan Chaudhary. The pair strike up a friendship. Returning home, she finds her apartment ransacked and is informed that her wayward uncle has been murdered. She barely knew the uncle, but she learns that he was involved in diamond smuggling. The other smugglers, whom he once double-crossed, begin to pursue Seema, believing she is hiding their share of a fortune in diamonds. Narayan comes to town, and Seema finds solace in his companionship. But can he be trusted or does he have ulterior motives?

Sata Bose, the receptionist of hotel Shahjahan and other crew members work hard to make the hotel first choice of the upper class for socializing in the city, just got the taste of freedom from British rule. The movie revolves around different characters - hotel employees to page 3 personalities dealing different human emotions. Although Sata Bose (played by Uttam Kumar) is the central character of the film, he is not the protagonist in many ways, rather the movie can be described as "hyperlink movie" made long ago than the term is coined.

Tripti's ill son has been admitted to the hospital. A teacher by profession, she visits her son every day after school. One day on her way, she comes across her estranged husband, Sunil Ganguly.

Pranbir goes to war where he meets his doppelganger, Rateshwar, who eventually dies in combat. Pranbir decides to visit Rateshwar's family to inform them about his death but the family mistake him for Rateshwar.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.