Youcef Sahraoui

Youcef Sahraoui

出生 : 1939-01-01, Algiers, Algeria

死亡 : 2000-07-30

略歴

Youcef Sahraoui (يوسف الصحراوي), born in 1939 in the Casbah of Algiers, this former employee of the RTF joined the maquis in the company of a group of Algerian technicians from the company. While they were on their way to Tunis at the request of M'hamed Yazid, Minister of Information of the Provisional Government (GPRA), they were victims of the so-called "Bleuïte" executions, the famous manipulation operation mounted by the French secret services during the Algerian War, which consisted of putting into circulation lists of alleged collaborators of the French army. Youcef Sahraoui is the only survivor of the group whose victims, Ali Djenaoui and his companions, are declared "disappeared in the maquis". Arrested and imprisoned, released thanks to independence, he then joined the RTA. Youcef Sahraoui quickly distinguished himself as one of the best cinematographers in the country. His filmography includes a large number of films, for television and cinema, including La Nuit afraid du soleil (1965) and L'Incendie (1974) by Mustapha Badie, L'heritage (1974) by Mohamed Bouamari. , The Children of November by Moussa Haddad (1975), Aziza by the Tunisian Abdellatif Ben Ammar (Tun/Alg, 1980), Bouamama by Benamar Bakhti (1983), Wind of Sand (1982) and The Last Image (1986) by Mohamed Lakhdar -Hamina, and, on the eve of his disappearance, The Shadow of the City (2000) by the Lebanese Jean Khalil Chamoun and Father of Naguel Belouad. Rachid Bouchareb, who asked him for Cheb (1991), followed by Poussières de vie (1994), a film nominated for the Oscars, and L'Honneur de ma famille (1997), dedicated Little Sénégal (2000) to him, including Youcef signed the photograph of the Senegalese side. Youcef Sahraoui himself directed a feature film The Silence of the Ashes (1975) as well as a soap opera La Gazelle (1991), both based on scripts by Kaddour M'Hamsadji. Youcef Sahraoui died on July 30, 2000 in Algiers of heart failure.

プロフィール写真

Youcef Sahraoui

参加作品

Père
Cinematography
“Algerian kid wants to go looking for the father he doesn’t know in Marseilles. Meandering between fantasy and reality, Belouad creates a convincing picture of the terrifying situation in Bejaia and the bleak outlook in Marseilles.” - MUBI
Taif Al-Madina
Director of Photography
To escape the civil war between Christians and Muslims, a Lebanese family moves from the countryside to Beirut, only to find themselves caught in an equally dangerous situation
Dust of Life
Cinematography
Story of Viet-American children trying to escape a camp.
Autumn - October in Algiers
Cinematography
Cheb
Director of Photography
After a conviction for theft, Merwan was expelled from France, where he had lived since the age of one, to Algeria, his country of birth. In a foreign country of which he knows neither the language nor the customs, he finds himself stripped of his belongings and on the street.
Gates of Silence
Cinematography
Directed by Amar Laskri.
Last Image
Cinematography
Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.
Sandstorm
Cinematography
Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.
Le Retour
Cinematography
Hassan Terro au Maquis
Cinematography