A large-scale solo exhibition by Chinese contemporary video artist Yang Fudong — grandly opened in the West Bund of Shanghai Art Museum. Yang collaborated with actors including Tan Zhuo, Lu Yulai, Xu Caigen, etc., and showed a 30-day art museum 'new film plan' for the audience at the museum. The Northern Song Dynasty Church and Nietzsche texts are the solemn philosophical language randomly selected by the director as a dialogue in the shooting scenes, and accompanied by the incomparable tone, gestures and facial expressions of the performers. Through this abstraction, stimulation breeds suspense, absurdity, and confusion. To be sure, Yang Fudong has once again found a strong personal style in recycling history.
A young actress, successful in her small hometown, seeks fame and fortune in the big city. She goes to live with a friend, who is currently making a film about Zhao Dan. They live in a building about to be destroyed. Can their differing visions of art and love come to pass, or will heartbreak put an end to their relationship, as it does to the old Shanghai?
A pained cry pierces the heart of a rustic mountain town in Larry Yang’s remarkable second feature Mountain Cry. When La Hong (Yu Ailei) dies in an accident involving an explosive badger trap, naïve Han Chong (Wang Ziyi) obeys village decree and takes the responsibility of caring for La Hong’s mute widow Hong Xia (Lang Yueting) and their children. But as they start to form an emotional bond, suspicions arise concerning La Hong’s death. A melodrama condemning intolerance, it is also a love story of remarkable credibility and emotional depth.
Villagers pooled up money and drive a sick widow to Yangzhou on a tractor to see a doctor.
The Devil Sergeant
In 1937, after the Marco Polo Bridge Incident, the Second Sino-Japanese War breaks out. San Mao, a wandering orphan, joins the army to participate in the Battle of Shanghai.
Daming Feng
It is the late 1920s when six-year-old Yingzi and her family move to Beijing. As Yingzi explores the busy streets and alleys, she befriends a widow who, driven mad by grief, stands vigil at the entrance of her hutong, waiting for her missing daughter to return.
Jin Shui
In pre-revolutionary China, two young girls, Chunhua and Yuehong Xing, rise through the ranks of Chinese opera, but with their artistic success comes a new series of personal and social challenges. After they're sold to a Shanghai opera and the revolution dawns, Yuehong radicalizes and devotes her career to politically progressive performances, while Chunhua flees to avoid turmoil. As the world changes around them, they fight to maintain their friendship.
