Annette Dutertre

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70's. When Daredjane accidentally dies, Marcia needs to get approval from Daredjane's right-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...

Antoinette, a school teacher, is looking forward to her long planned summer holidays with her secret lover Vladimir, the father of one of her pupils. When learning that Vladimir cannot come because his wife organized a surprise trekking holiday in the Cévennes National Park with their daughter and a donkey to carry their load, Antoinette decides to follow their track, by herself, with Patrick, a protective donkey.

父が他界し、義理の母モードが跡を継いだホテルで、一従業員として働くクレア。美し過ぎる彼女は常に男性たちの視線を集めていた。そんなある日、モードは自分の愛人までもがクレアに気があると知り、彼女に嫉妬の炎を燃やす。モードは秘書に命じ、車の事故を装ってクレアを殺そうとするが失敗、逃れたクレアは義母の手の及ばない見知らぬ森の村で暮し始める。だが、やがて彼女の美しさは周囲の男性たちを次々ととりこにし……。

Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.

Poland, 1945. Mathilde, a young French Red Cross doctor, is on a mission to help the war survivors. When a nun seeks for her help, she is brought to a convent where several pregnant sisters are hiding, unable to reconcile their faith with their pregnancy. Mathilde becomes their only hope.

During the height of summer, Caroline, a forty-year-old Parisian and mother, arrives in a small village in the south of France. She must hastily organize the funeral of her mother, a flighty lawyer, whom she barely used to see. Caroline is welcomed by Pattie, who likes to talk about her love affairs with the local men to anyone who'll listen. Then, while the whole valley gets ready for the traditional mid-summer dance, Caroline's mother's corpse mysteriously disappears...

Temptation and danger run high in this romantic drama. In a post-World War I world, handsome veteran Antoine is ready to live life with his beautiful wife, Marianne. But his happiness is threatened when Marianne's alluring sister, Evelyn, pulls him into a seductive web of deceit and infidelity.

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.

Marc, in his 40s, is a professor of literature at the University of Lausanne. Still a bachelor — and still living with his sister Marianne in a huge, isolated chalet that they inherited when they were very young — he carries on one love affair after another with his students. Winter has almost ended when one of his most brilliant students, Barbara, suddenly disappears. Two days later, Marc meets Barbara’s mother, Anna, who wants to find out more about her vanished daughter.

Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy - though he is ill-prepared for her secrets as they quickly muddy the waters.

In a private collection in Arlington, French actor and director Mathieu Amalric, who won the Best director award in Cannes) takes his camera to one of Hopper's latest masterpiece, one of the most mysterious as well. As we hear the four last Lieder of Strauss or extracts from a Kennedy speech, that Hopper listened to while working, Amalric keeps pursuing the hidden meanings of his painting in its darkest corners. (With American documentarist Frederick Wiseman doing Edward Hopper's voice).

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

An affluent, middle-aged couple's uneventful lives are forever changed when they move into an isolated house in the country and befriend an odd, younger couple.

Two young men went on a ride with their old friend in his truck across the whole Mauritius, the sole purpose of it being finding and getting two girls to entertain them that very night back home.

Edouard, unemployed computer technician, invites Diana, a young student from England, to spend a weekend in the Noire Mountain. At dusk, they arrive at Gilbert’s place. A former 60’s activist who lives in the forest, Gilbert has decided to drop everything and to offer Edouard his house. Edouard accepts the offer, tries to convince Diana to stay, and discovers that, perhaps, Gilbert is his father…

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.