Producer
A Ripley's Believe It or Not short film, it tells the story of a man wrongly imprisoned who goes abroad to find his fortune and ends up getting sent back home on the Titanic.
Producer
A short documentary depicting a typical day in the life of a 1940s era flying stewardess.
Director
Expeditions in Borneo by Mr. and Mrs. Martin Johnson show the terrain, flora, fauna and lifestyle of Borneo as the Johnsons search for a huge orangutan.
Director
The 1935 Morro films, shot by Martin and Osa Johnson, recount the 60,000 mile "Flying Safari" undertaken by the filmmakers as they flew their two amphibious airlanes(the Zebra stripped 'Osa's Ark' and the Giraffe-spotted 'Spirit of Africa') from Capetown, South Africa to Cairo, Egypt. Famous shots from the movie include the first-ever aerial pictures of the tops of Africa's highest peaks, Mt. Kilimanjaro and Mt. Kenya. Along the journey, Martin filmed Osa surrounded by a pride of Lions and together they captured amazing scenes of a baboon colony, an event striking enough to give the movie its name.
Producer
Produced by the Fox Movietone News arm of Fox Film Corporation and based on the book by Lawrence Stallings, this expanded newsreel, using stock-and-archive footage, tells the story of World War I from inception to conclusion. Alternating with scenes of trench warfare and intimate glimpses of European royalty at home, and scenes of conflict at sea combined with sequences of films from the secret archives of many of the involved nations.
Executive Producer
The first sound movie made entirely in Africa, Congorilla premiered in 1932 and permitted audiences to hear what they had only been able to see during previous safari films. Martin and Osa Johnson began in Kenya and Tanzania before moving to Uganda and the Congo Basin (Zaire). Along the way they filmed Zebra in the Serengeti, charging Rhinos in the Northern Frontier District (Southern Somalia), and recorded exciting encounters with Crocodiles and Hippos as they went down the Nile. The latter part of the film is devoted to the 7 months the filmmakers spent in the Ituri Forest with the Mbuti people as they captured village life despite the humidity, which caused batteries to deteriorate, wires and connections to erode, and mildew to form on camera cases.
