Tunde Kelani
出生 : 1948-02-26,
略歴
Tunde Kelani holds a Diploma in the Art and Technique of Film-making from the London International Film School, London. After many years in the Nigerian Film Industry as a Cinematographer, he now manages Mainframe Film & Television Productions, an outfit formed to document Nigeria's rich culture.
Tunde Kelani has worked on most feature films produced in the country in his capacity as a Cinematographer. Some of 16mm feature films include: Anikura; Ogun Ajaye; Iya Ni Wura; Taxi Driver; Iwa and Fopomoyo. In the area of video productions, he has to his credit award-winning feature videos: Ti Oluwa Nile; Ayo Ni Mo Fe; Koseegbe and Oleku.
An advocate of 'Alternative Technology' in motion picture production in Africa, Tunde Kelani has successfully produced and directed two digital features,Saworoide, Thunderbolt. He also completed work one of his latest digital films 'Agogo-eewo' shot on widescreen digitally on Dvcam. In addition to the M-net short features films, 'Twins of the Rainforest','A Place Called Home' and 'Barber's Wisdom' (35MM) , he also photographed, produced and directed a short feature in 16mm 'The White Handkerchief' in the same series. He has since added The Campus Queen' Abeni and The Narrow Path, the first set of works to probe further the possibilities of advanced digital film-making.
He recently added a new film Arugba which has just concluded free, open-air community screenings in 57 local government and development council areas of Lagos State in Nigeria. Tunde Kelani uses the Mobile Cinema Project, designed to take information and entertainment to the grassroot.
Tunde Kelani's latest film is Maami that tells the story of a single parent, Maami, and her young son who are desperately poor.
Director
Set against the backdrop of a beautiful range of hills and valleys in the southwestern Nigerian countryside, AYINLA is inspired by the life and times of Ayinla Omowura, a popular Yoruba musician in rural Nigeria.
Director
An adaptation of Yinka Egbokhare's novel. The story of a young sickle-cell patient and the various social and emotional challenges she's faced with.
Director
A poor Nigerian woman named Maami protects her young son, Kashimawo, from his father who carries a terrible secret.
Director
Adetutu faces many responsibilities. She must juggle her role as Arugba (the virgin) in the annual community festival with her studies at the university. She must also care for an ailing and grieving friend. Other plot points include Adejare, a demanding king, Adetutu's blossoming musical career, and her growing fondness for a gifted artist named Makinwa which places a strain on Adutu's relationship with the other members of her all female musical group.
Cinematography
Abeni is in love with Akanni, the son of Chief Bello's former gateman. But Chief Bello is not in support of his daughter's intention to marry a pauper's son. Will Chief Bello succeed in breaking the bond between the lovebirds?
Producer
Abeni is in love with Akanni, the son of Chief Bello's former gateman. But Chief Bello is not in support of his daughter's intention to marry a pauper's son. Will Chief Bello succeed in breaking the bond between the lovebirds?
Director
Abeni is in love with Akanni, the son of Chief Bello's former gateman. But Chief Bello is not in support of his daughter's intention to marry a pauper's son. Will Chief Bello succeed in breaking the bond between the lovebirds?
Director
A man and his childhood friend fall in love despite her father's wishes
Writer
Melodrama about marriage.
Director
Melodrama about marriage.
Producer
Life on a university campus with its own unconventional but dynamic culture ascribes to itself so many unusual privileges which provide unique opportunities for taking liberties mostly in a broad antisocial sense. In the university, several interests groups or clubs are commonplace. Against the Heavy Weights Club, another club Silver Lines Movement is born. SLM vows to oppose all antisocial, antidemocratic tendencies including economic exploitation on campus. The ensuing battle between the two clubs reveals the frenzied struggles for supremacy in all aspects of campus life. It also exposes the special interests of godfathers from inside and outside campus.
Director
Life on a university campus with its own unconventional but dynamic culture ascribes to itself so many unusual privileges which provide unique opportunities for taking liberties mostly in a broad antisocial sense. In the university, several interests groups or clubs are commonplace. Against the Heavy Weights Club, another club Silver Lines Movement is born. SLM vows to oppose all antisocial, antidemocratic tendencies including economic exploitation on campus. The ensuing battle between the two clubs reveals the frenzied struggles for supremacy in all aspects of campus life. It also exposes the special interests of godfathers from inside and outside campus.
Cinematography
Thunderbolt is woven around Ngozi, a young elegant Igbo lady and Yinka a young man of Yoruba origin who meet and fall in love during the National Youth Service. Their eventual marriage, against folk wisdom soon develops problem fueled by rumors of extra-marital affairs which destroy trust between a devoted Ngozi and a jealous Yinka. In the ensuing drama Ngozi is laced with “Magun,” the mysterious and fatal chastity control which will make her sexual victim die instantly after sexual intercourse.
Screenplay
Thunderbolt is woven around Ngozi, a young elegant Igbo lady and Yinka a young man of Yoruba origin who meet and fall in love during the National Youth Service. Their eventual marriage, against folk wisdom soon develops problem fueled by rumors of extra-marital affairs which destroy trust between a devoted Ngozi and a jealous Yinka. In the ensuing drama Ngozi is laced with “Magun,” the mysterious and fatal chastity control which will make her sexual victim die instantly after sexual intercourse.
Director
Thunderbolt is woven around Ngozi, a young elegant Igbo lady and Yinka a young man of Yoruba origin who meet and fall in love during the National Youth Service. Their eventual marriage, against folk wisdom soon develops problem fueled by rumors of extra-marital affairs which destroy trust between a devoted Ngozi and a jealous Yinka. In the ensuing drama Ngozi is laced with “Magun,” the mysterious and fatal chastity control which will make her sexual victim die instantly after sexual intercourse.
Producer
When a usurper, Lapita, seizes the throne of Jogbo the scene is set for a film about the power struggles and corruption of a mythical African state tied up to the rituals of kingship – principally the beating of the Saworoide (or brass bell) drum. A homespun political parable emerges drawing interest by converting the typically unstable African political stereotypes into a fable complete with songs and a Greek Chorus that reflect upon the plot.
Director
When a usurper, Lapita, seizes the throne of Jogbo the scene is set for a film about the power struggles and corruption of a mythical African state tied up to the rituals of kingship – principally the beating of the Saworoide (or brass bell) drum. A homespun political parable emerges drawing interest by converting the typically unstable African political stereotypes into a fable complete with songs and a Greek Chorus that reflect upon the plot.
Director
Kòseégbé is a 1995 Yoruba drama film directed by Tunde Kelani based on a stage play of the same name by Akinwunmi Isola.
Writer
A Nigerian melodrama where a clique of land speculators enlists the help of a traditional chief to sell ancestral land fraudulently to a business man who plans to build a petrol station.
Director
A Nigerian melodrama where a clique of land speculators enlists the help of a traditional chief to sell ancestral land fraudulently to a business man who plans to build a petrol station.
