Robert Murzeau

Two crooks think up a scheme to get rich at the expense of the vain and excessive Grand Duke.

A TV movie about Huckleberry Finn, directed by Marcel Cravenne and released in France back in 1967.

A Russian spy is sent out to steal sensitive information from NATO about military mobilization. Without much intelligence of his own, the distrusted agent of Soviet intelligence needs all the help he can get from his "talented" partner Penelope Lightfeather as they scatter around the French countryside for secret rendez-vous' while trying to avoid being caught by counter intelligence agents and distrustful communist operatives.

A young boarder meets a captain.

A merchant, without audacity with women, is dragged by a friend into the worst marital complications. His setbacks will ultimately pay him off.

Stan and Ollie are marooned on an atoll. This was their last film together.

Théodora, Thierry de Villiers' governess, has the leisure of scrambling the cards: She combines the meeting in the same apartment of Thierry, his friend Octave, Brigitte, his wife, and Nicole, Villiers' secretary. Finally, Theodora will be sent back to the asylum from which she had run away.

Mme Beaudrier, the wife of a Parliamentary Senator, hurls a pastry at visiting King Joan IV of Cerdagne, sparking off a series of farcical events involving all levels of the government and their mistresses.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

The life of Vincent de Paul, the 17th-century author and priest who founded two religious orders.

Léontine, an old baroness, opposes her granddaughter's wedding for moral reasons. But Adolphe, her first husband reminds her that her own conduct in the past was far from irreproachable. Didn't she cheat on him ? And after her divorce from him and her remarriage with a baron, didn't she do the same thing to her second husband? Léontine then realizes she is in no position to lecture her granddaughter, all the more as she loves her fiancé truly.

A guardian, abusing his prerogatives, imposes on a young girl the husband he has chosen for her. On the very day of the wedding ceremony, the bride fled. She is picked up on the road by four bandits who are going on a business expedition. After many adventures, each as implausible as the next, the heroine will marry the man of her choice.