Gianni Amico

"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.

A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.

Between August 23 and 31, 1983, at the "Circo Massimo", in Rome, there was a musical event that brought together artists from Bahia. This film brings a recording of the event, also featuring backstage, rehearsals, testimonies and some relaxing moments of these great names in Bahia's music.

Between August 23 and 31, 1983, at the "Circo Massimo", in Rome, there was a musical event that brought together artists from Bahia. This film brings a recording of the event, also featuring backstage, rehearsals, testimonies and some relaxing moments of these great names in Bahia's music.

An Italian movie.

A fragmented style, patchwork of interviews with Caetano Veloso's friends, mixed with conversations, thoughts, scenes of dance and literature excerpts.

Made for the Liguria program: 90 years of cinema. The precious superimposition of two diaries: the personal one, written and filmed by the director and his companions of moments lived in Manarola, and that of Telemaco Signorini, an artist focused on the Cinque Terre who feels the need to nourish his figurative obsession with theoretical insights for that same place where Amico's daily life takes place with Olympic prosaicity.

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

In 1925, Gabriela, a poor, uneducated, yet charming woman becomes cook, mistress, and then wife of Nacib, a bar owner in Ilhéus, a small Brazilian coastal town run by the local colonels.

Adaptation of Goethe's novel.

Adaptation of Goethe's novel.

Le cinque stagioni is a four-part television drama directed by Gianni Amico and broadcast by RAI in 1976. Set in a retirement home, the film studies components, manias, small and large dramas of retirees.

In The Recorder the restlessness creeps into a claustrophobic situation where a typist confronts the recorded voice of the writer she works for.

A man receives a telegram that his father is dying, and travels with his wife to his hometown. They discover that the telegram is untrue, and set out to find who sent the message and why.

A man receives a telegram that his father is dying, and travels with his wife to his hometown. They discover that the telegram is untrue, and set out to find who sent the message and why.

The events of Giuliano Sartori, correspondent from Genoa for a newspaper in the capital, involved in a complicated investigation set in a psychiatric clinic. Not a simple Italian thriller but a "Russian doll", an open story with different levels of reading and interpretation, in which the distance between the madness of authenticity of feelings and the sprawling social normality that leads to 'annulment of the person and loneliness. Collaborators on the subject and the script of the film are Bernardo Bertolucci and Enzo Carra.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

「勝手にしやがれ」のゴダール監督が、フランスの5月革命の終結後、創造集団“ジガ・ヴェルトフ集団”の作品として製作し、実験的な試みがなされた前衛的作品。イタリア語でしゃべる騎兵隊の将官、彼に暴行されるインディアンの青年、インディアンの監察官、娼婦らが登場し、西部劇の設定を借りて階級闘争と民主主義の勝利が語られる。（allcinema）

A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.

Neorealism in cinema through the memories, reconsiderations and regrets of those who contributed to creating it and making it vital that season. From the return to the changed set of Rome, open city to the interview with Pasolini on the set of Uccellacci e uccellini. Testimonies of Rossellini, Zavattini, Amidei, De Sica, Moravia, Bellocchio, Bertolucci and others dot a complex system of analysis of the texts and the strongest instances that have led Italian cinema to confront reality.

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

The story of a young man who meets his own likeness and uses him to fulfill his dreams.

A film by italian filmmaker Gianni Amico.

Documentary filmed during the 1965 International Jazz Festival in Bologna, featuring appearances by musicians such as Gato Barbieri, Don Cherry, and Mal Waldron.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

Short film about racism in the US.

Short film about racism in the US.