Mehdi Hashemi

Directed by Seyed Masoud Atyabi was made in 2018. This movie is produced in Iran and in the comedy and family genre. In this film, Mehdi Hashemi, Reza Attaran, Ahmed Mehranfar, Barzou Arjamand, Shagaig Dehghan, Siros Hemti, Omid Rouhani, Mehdi Faqih, Shakib Shajare and Mehsa Tahmasabi have acted as artists.

Sasan and Bahram are back to Iran and Alice is with them too. Babak's father and Sasan's mother come to airport to take them home but they don't know that they are married. Meanwhile Bahram takes the wrong suitcase which lead them to confront with a gang and enter them in new adventures.

Police investigates a case to find and eliminate a group of political objectors to Iranian regime before 1978 revolution.

Two old-timer thieves, Kamal and Jamal who are released from prison after years, go to their accomplice - Essi - to get their share from their last robbery. But Essi has invested the money on a film and has played in it which was a complete failure. Despite their propensity for robbery, these two old men, have to do it again. But they have become too old to rob in a traditional way.

A young woman is murdered by her own father, with the help of her younger brother. She is secretly buried in the cellar, a space where the women of the family weave carpets and perform other domestic chores. Her loss, or perhaps her presence, continues to haunt the family as it reverberates through the following generations. Ayyari’s film is staged exclusively in this house and was banned several times in Iran.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

Two on the road: an actress who is giving up cinema and discovering a new world in photography and a man who lost his factory. The destination is Somalia where human dignity proves to be the conqueror even in the hard times of war and starvation.

When Salim - who sells governmental forbidden western music and film tapes in the streets- discovers he has a fatal brain tumor, he decides to join the army and get killed defending his ...

When Pari and Mehdi are not able to have children, Mehdi's mother suggests he has a second marriage. This pushes Pari to seek revenge by requesting her promised dowry, which is supposed to be equal to the combined weight of her and her husband. This triggers a constant wave of strange, funny and twisted events, such as the hilariously unappealing sight of Pari gobbling everything in sight in order to increase her weight. A quirky, unforgettable comedic drama.

An old man who is a simple worker decides that he wants to buy a cell phone. He goes to buy some second hand ones but by accident the president's used cell phone is the one which he buys.

A story about Human beings and their relations which has a man in the center of it. Because of a car accident he has Alzheimer and must face a different new world.

A man lives with his only daughter, doing everything he can to make a living for his daughter's sake. But a misunderstanding makes things complicated for him.

A man, who has some kind of a disease and eats a lot, enters a poor and large family to marry their mother.

Drama by Masoud Karamati.

The personal life of a couple is challenged when the wife gets a promotion over her husband and becomes his boss.

Khanom Bozorg wants to give her necklace to her grand daughter Reihan but her son and her expelled daughter Nimtaj are after it. They send two thieves to steal it from Reihan.

The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.

nspired by his recent trip to the USA, a filmmaker (played by Dariush Farhang) dreams of making an action film in modern Iran. Having little experience to draw on, he finds that the task is much more daunting that he had first imagined. As he faces setback after setback, he wonders if he will ever complete his project. An interesting look into the complexities of filmmaking.

A loyal gamekeeper enters the Pardis Kala region with his teenage son. There, an ill-wisher landlord has influence over all the people but no one likes him. A flighty sergeant is not happy about the gamekeeper entering there. A new teacher can not understand the gamekeeper's discipline so she does not like him. Khaleh Khanom who lives with the teacher also does not like her husband Hossein Amoo. Good guys fight the bad guys to fulfill the dream of the gamekeeper's son.

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?

Mohammad Javad Halimi is a simple government's employer who manages after years to buy a house for himself outside the city's limits. But in the second night in his new house a thief is coming to his house. He manages to catch the thief but delivering him to the authorities is another story.

One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...

Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

An engineer attempts to keep his family safe from the revolutionary turmoil of 1978 Iran.