Pedro de la Garza

参加作品

45 Days In Harbar
Data Management Technician
The plastic artist Cesar Arechiga recreates his living room and studio in the maximum-security prison of Puente Grande, Jalisco, in which fifteen inmates learn about paper production, clay modeling, sculpting and painting. Through this artistic interaction, they share their personal experiences of how they became involved with the world of drug trafficking.
45 Days In Harbar
Post Producer
The plastic artist Cesar Arechiga recreates his living room and studio in the maximum-security prison of Puente Grande, Jalisco, in which fifteen inmates learn about paper production, clay modeling, sculpting and painting. Through this artistic interaction, they share their personal experiences of how they became involved with the world of drug trafficking.
El paso
Post-Production Manager
This is a story about the families of those that once were our witnesses, our eyes and our voice, but were threatened, had to leave Mexico and forced to live in exile, seeking for political asylum. It is not about powerful journalists, it is about invisible reporters that represent the weakest links of the news network’s chain and now are living in an immigration limbo.
Gofer
Post Production Supervisor
Alan’s daily life as a driver and assistant to a federal deputy entails enduring the anger and arrogance of his superior; sufering the contempt of the deputy’s bodyguards and, above all, cleaning up all traces of his boss’ misbehaviour. Today, however, Alan has decided that things will be different.
The Convict Patient
Post Production Supervisor
On February th 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre from October 2nd 1968, defying the most repressive regime in the contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation, only to wander Mexico City´s streets as a vagrant.