Rou has returned to the monastery he was raised in. As he listens to the whispering of the Gods through his germanium radio, Rou defies God in every which way and puts religion to the test.
A detective, a mysterious beauty Ekin and other characters appear in the film. It creates a mysterious visual world that takes us one step further into the world of Ekin. This is the second art documentary film produced by the Museum of Art, Kochi, following Hiroyuki Oki's HEAVEN-6-BOX. This time, the stage performances of butoh greats Maro Akaji and Dairakudakan were documented by Hayashi Kaizo.
All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.
The story revolves around Ogino, who is in the last year of his medical studies. Between lectures, exams, on field training, his commitment as a pro-reformist militant and his girlfriend, Ogino is starting to wonder if he's really cut out to be a doctor.
