Leon Mirell

参加作品

The Killing Kind
Executive Producer
Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of chocolate milk. One of her boarders, Lori, becomes attracted to him. However, while he was serving his prison sentence, Terry developed an interest in rough, violent sex, and gory death. Now, one by one, some of the town's women pop up dead.
Stacey
Producer
The sleazy and dangerous adventures of a gorgeous female private detective.
Stacey
Story
The sleazy and dangerous adventures of a gorgeous female private detective.
Getting Away from It All
Executive Producer
Two city couples decide to leave the hectic urban life and retreat to the country, but find that rural living isn't quite what they thought it would be.
Outside In
Executive Producer
A man who moves to Canada to escape the draft returns to the United States for his father's funeral.
Watermelon Man
Executive Producer
Jeff Gerber, a racist insurance agent and fitness freak, lives in a typical suburban neighborhood. But Jeff's bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight. As Jeff tries to come to terms with this unexplained phenomenon that has befallen him, he soon becomes the victim himself, when all of his friends and neighbors suddenly shun and harass him.
That Cold Day in the Park
Producer
Frances Austen, whose well-appointed apartment overlooks a park in Vancouver, one cold day, observes a rain-soaked young man on a park bench whom she assumes is homeless. Hoping to repress her loneliness, Frances invites ‘the boy’ inside her home to get warm and ends up encouraging him to stay. The young man accepts her every hospitality—food, clothes, profuse conversation, and a room of his own. Little does she realize that her guest is not the person he appears to be. Nor, for that matter, is Frances the woman that she appears to be.