Hjalmar Selander

参加作品

Gustaf Wasa, Part Two
Matts Ers
King Christian II rides busy street by Sweden which he now put under him, while he remembers what he did against the Swedes at the Stockholm Bloodbath. In dala heels walk a lonely man, dressed as a peasant. It's the one the Danes would prefer to get hold of - Gustaf Eriksson Vasa . He goes from Rankhyttan to Ornäs , where he is kindly received by the farmer Arendt Persson, but Arendt is a deceitful man who has thought enter Wasa to the Danish bailiff. But Arendt's wife helps Wasa to escape and he continues his long journey.
Gustaf Wasa, Part One
Matts Ers
The story takes its beginning in 1518 , the Danish King Christian II has taken Sweden. Sten Sture the younger appeal to all loyal subjects to resist. The offer reaches the farmer Mats Waltersson in Dalarna , Sweden's heart and he gathers his men. Dalmas were going from house to house, they do not want a Dane on the throne. At Brännkyrka outside Stockholm is a battle between the Danes and Swedes. Swedes win and the Swedish riksbaneret out during the Battle of Gustav Eriksson Vasa.
Familjens traditioner
Baron Stenklo
"Family Traditions" - The young Baron Robert falls in love with his distant relative Helga.
A Lover in Pawn
Reverend
About loaner Master Samuel, based on a writings by Hjalmar Bergman
Sir Arne's Treasure
Herr Arne
Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.
The Girl from the Marsh Croft
Gudmund's Father
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.