Jaume Picas

Amid the craggy, dusty hills of southern France, a woman screams in the night. Gorgeous Melissa Comfort, a wealthy heiress confined to a wheelchair since birth, cries out in her nightmares, terrified of a dream that comes night after night. In this night terror, she's 10-years-old. Running from a man who may or may not be her father.

A bandit gang successfully executes a complicated bank heist but disagreements arise in the aftermath.

Vincent is married to a very sexy woman, who everyone knows as "The Monument", and envy the fate of her husband. However, Vincent is very busy with his work and doesn't pay her enough attention. The situation complicates when the richest man in town gets interested in her.

Isabelle (Marisa Mell) runs a nursing home for wealthy women who are trying to detox from their various obsessions. Her lover, Serge Belaiev (Robert Hossein), a petty gangster, has pulled off a big hit but his partners have denounced him to the police in order to appropriate his share of the loot. Isabelle takes him in and hides him in an attic of this strange house. In love with Isabelle, Philippe Lansac (Alberto Dalbes), the owner of the place, decides to close the castle...

Mario Colomer, prime minister, is burdened by overwork. His problems seem solved when his assistants tell him about Juan Brandel, a possible substitute, just like him physically, but with a funnier and more adventurous personality. At first the plan seems to work and the politician begins to gain popularity. The plot thickens when the 'original' becomes jealous of the 'copy' and the substitute exceeds his functions.

A young police officer fresh out of the academy, sees casually as a man is beaten and forcibly put into a car in the car park at Barajas airport. The rookie cop tracks them down and discovers a band dedicated to trafficking in women in Spain.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

John leaves for Barcelona in search of Cristina, who two years ago went to the city. On arrival he is hosted in a cousin's house and there he meets Monica that falls madly in love with him. When he finally finds Cristina, things do not happen as he expected, the time and the city have changed her and she is not sure to continue the relationship. Meanwhile, Monica tries unsuccessfully to call the attention of John.

Ditirambo never smiles, always tells the truth and ruthlessly carries out all the missions entrusted to him. The widow of a writer orders him to locate the former lover of her husband with the purpose of getting revenge on her.

Traumatized by the War of Algeria and by the accidental death of his wife and his son, Manu left the right road. His last caper was the attack of the Antwerp-Tangiers Express, carrying a precious cargo of industrial diamonds. But the whole affair was bungled and all of his accomplices got shot. The only survivor of this disaster, Manu now finds refuge in the mountain house of Lucia, the widow of a smuggler who lives alone there with her little boy.

Fierce portrait of a leftist student who betrays his girlfriend in order to kill a rich man with high political influence.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

A woman uselessly insists on entertaining a man by telling him stories that don’t interest him as much as his works. A film about the impossibility of telling a story that, to this end, concentrates on the story of two people who have a relationship that is destined to fail.

An American adventurer who has a gambling den in Istanbul, who is suspected to be involved in the kidnapping of a nuclear scientist, but ultimately becomes self on the search for the disappeared and gets a striving for world domination secret organization.