František Pilát

出生 : 1910-02-08,

死亡 : 1987-08-31

参加作品

2x Bail
Sound
Ferda mravenec
Sound
Ferda Mravenec (Ferda The Ant, 1944 ) runs over ten minutes, telling the tale of an ant colony versus a spider. This one is teeming with characters, with impressive animation, fun gags, and a good story.
Rytmus
Sound
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
Bourec morušový
Sound
Človíčkové
Sound
Man from the Unknown
Sound
Venice Film Festival 1940
Mořská panna
Sound
The Magic House
Sound
When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.
Ženy u benzinu
Sound
Dvojí život
Sound
Lomený paprsek
Sound
Chovej se slušně
Sound
The Light Penetrates the Dark
Director
Zdenek Pešánek created the first public kinetic sculpture, for the power station in Prague. This short experimental film focuses on a kinetic sculpture by Zdenek Pešánek. For a period of eight years it issued beams of light from the outside wall of a transformer station at Prague’s power utility before its destruction in 1939. Though genuine, these shots seem abstract to us. They are a rhythmically assembled ode to the light-creating devices and phenomena of electricity. Light arcs, coils, bulbs and various luminous elements support the alternation of positive and negative film images, creating an impressive universe of light and shade. In the 1920s, Pešánek had obtained financial support for his work with electric kinetic light art. In the 1930s, he was the first sculptor to use neon lights. He built several kinetic light pianos, and published a book titled “Kinetismus” in 1941. —http://www.centerforvisualmusic.org
The Light Penetrates the Dark
Director of Photography
Zdenek Pešánek created the first public kinetic sculpture, for the power station in Prague. This short experimental film focuses on a kinetic sculpture by Zdenek Pešánek. For a period of eight years it issued beams of light from the outside wall of a transformer station at Prague’s power utility before its destruction in 1939. Though genuine, these shots seem abstract to us. They are a rhythmically assembled ode to the light-creating devices and phenomena of electricity. Light arcs, coils, bulbs and various luminous elements support the alternation of positive and negative film images, creating an impressive universe of light and shade. In the 1920s, Pešánek had obtained financial support for his work with electric kinetic light art. In the 1930s, he was the first sculptor to use neon lights. He built several kinetic light pianos, and published a book titled “Kinetismus” in 1941. —http://www.centerforvisualmusic.org