Georgi Bogdanov

参加作品

The Cars We Drove into Capitalism
Post Producer
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
The Cars We Drove into Capitalism
Camera Operator
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
The Cars We Drove into Capitalism
Writer
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
The Cars We Drove into Capitalism
Director
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
Palace for the People
Post Production Supervisor
The life and death of socialist architectural monsters. An epic fairy-tale in five chapters.
Palace for the People
Editor
The life and death of socialist architectural monsters. An epic fairy-tale in five chapters.
Palace for the People
Writer
The life and death of socialist architectural monsters. An epic fairy-tale in five chapters.
Palace for the People
Director
The life and death of socialist architectural monsters. An epic fairy-tale in five chapters.
The Last Black Sea Pirates
Post Production Supervisor
This is a modern pirate story complete with a captain, a mutinous crew of outlaws, a princess, her wedding dress and untold riches. Only one thing is missing: the ship. According to legend, Vulchan, a 19th-century gypsy pirate, attacked three convoys laden with gold. He robbed them, sunk them and hid his treasure by the coast. Fast forward to present day. Captain Jack, an ex-con himself, leads a motley bunch of homeless outcasts—alcoholics and petty criminals—in a search for the hidden loot. But their hopes of riches and glory are threatened when the brother of the Bulgarian Prime Minister announces plans to build a new mega tourist resort by the Black Sea.
Corridor No. 8
Director of Photography
The road linking Bulgaria, Macedonia and Albania corresponds to the site of a huge EU infrastructure project called Corridor #8. Corridor No. 8+ is a mosaic film combining fragments from the everyday lives of the characters who live along this non-existent Balkan road. MUBI
The Black Swallow
Kanyo
The stories of three men get tangled up in the life of the young Gipsy called Magdalena - that of the Bulgarian Lilyanin, who starts off as a fighter for brotherhood but turns into a persecutor of the Gypsies; the story of the savage Halibryamov, who knows the language of animals, but does not speak any human tongue; the story of a rich Gypsy called Kanyo who wants but does not dare to break with the lot of his kin, and story of a Frenchman in a wheelchair who comes to realize that money cannot buy everything. Magic alone can unravel this knot of destinies... And then, there is the Gypsy tale of the black swallow and how it came to be.
Protect the Small Animals
Writer
Two friends from their student years are dating. One of them is the director of a peasant school, and the other is an impresario in show business. Memories bring them back to their youth. What have they lost and what have they kept over the years? These questions are answered by the heroes at dawn, after a stormy night.
Autos im Sozialismus – Freiheit auf vier Rädern
Director
Symbols of a bygone era, the cars produced by the state-owned factories of the Eastern Bloc are now highly prized by collectors. In the former German Democratic Republic, as in the other Eastern Bloc countries, the individual car was a grail, an almost unattainable commodity.