Brian Rzepka

参加作品

Blue Ruin
Art Direction
When the quiet life of a beach bum is upended by dreadful news, he sets off for his childhood home to carry out an act of vengeance. However, he proves an inept assassin and finds himself in a brutal fight to protect his estranged family.
The David Dance
Production Design
Away from the microphone, David is soft spoken, shy and unsure of himself. However, as his on-air alias ‘Danger Dave,’ the host of “Gay Talk,” he’s poised, witty, and every listener’s best friend. His sister, Kate, a thrice divorced banker has a yen for Schumann and cats. Though successful, the siblings suffer from a secret, yet vast, sense of inadequacy. Kate decides to adopt and asks David to be a father figure. David gawkily romances his coworker. Past and present intertwine to tell the story of a man learning to love and accept himself.
Junction
Construction Coordinator
Junction follows four strung-out meth-addicts who discover a dark secret about a homeowner during a burglary, pitting them not only against the police but against each other.
Dorothy And The Witches Of Oz
Art Direction
Children's author Dorothy Gale makes a decent living continuing her grandfather's series of Oz books. When a new agent enters the scene, Dorothy moves to New York city. In the midst of a major business deal for her books, Dorothy discovers that her books are not based on her imagination, but on repressed memories. While Dorothy struggles with the revelation, she is forced to confront The Wicked Witch of the West, who has descended upon the Big Apple, determined to settle an old score.
アナザー プラネット
Art Direction
17歳で一流の名門大学MIT(マサチューセッツ工科大)への合格を果たした秀才女学生のローダ。しかし、ある日彼女は車を運転中、ふとした気の緩みから、若い家族の乗る車に正面から突っ込み、妊婦と子どもを死なせてしまう。4年の刑期を終えて出所した後、ローダは、ひとり取り残されて世捨て人のような生活を送る遺族の夫ジョンのもとへ謝罪に出向いたものの、なかなか真実を告白できず、代わりに、清掃会社の一員を装って彼の家へ定期的に通い始める。
Archangel
Art Direction
A killer learns someone is watching him.
Archangel
Production Design
A killer learns someone is watching him.
One hundred years of evil
Production Design
Did Adolf Hitler survive WWII and live on under an assumed identity? Norwegian researcher Skule Antonsen sides with Spanish documentary filmmaker Idelfonso Elizalde to follow in the footsteps of Adolf Munchenhauser, a Hitler look alike captured by the Allied forces in Berlin 1945. When Munchenhauser is released from Camp Rebecca in 1946, a secret prison camp in the Nevada Desert, he decides to stay in the U.S. Skule digs into Munchenhausers life and hears a lot of stories, but none of them reveal his real identity. Is it possible that Adolf Munchenhuser really was Adolf Hitler? As Skule digs deeper for the truth it becomes clear that there are powerful forces that will do anything to stop him.
Asylum Seekers
Art Direction
Six people on the verge of a breakdown decide to check themselves into an insane asylum, only to discover there is just room for one.
Made for Each Other
Production Design
After three months in a sexless marriage, a man cheats on his wife and tries to justify his actions by tricking her into infidelity.
The Alphabet Killer
Set Decoration
Based on the true story of double killings occurring in Rochester, NY during the 80’s and the troubled police officer determined to solve them, with or without the help of her department
Home Movie
Art Direction
Reverend David Poe and his psychiatrist wife trade hectic New York life for an idyllic rural farmhouse; the perfect place for 10 year old twins Jack & Emily to run, play and imagine. Documenting this lifestyle change, David decides to film every holiday and special family event. To the Poe's horror their home movies reveal an increasing malice and evil within their children.
The Hollow Tree
Set Decoration
The Hollow Tree is a 2007 film directed by Patrick Steward and co-produced by Haydenfilms. It tells the touching story of a runaway who encounters a mysterious stranger who enlightens him to the reality of “home".
フローズン・リバー
Art Direction
新居購入のために貯めていた大金をギャンブル依存症の夫に持ち逃げされ、2人の子供を抱えて途方に暮れている白人女性レイ。愛する夫に先立たれ、義理の母に奪われた赤ん坊をいつの日か引き取ることを夢見ながら生きるモホーク族のライラ------ふとしたきっかけで知り合った2人は、それぞれの切羽つまった“ギリギリ"の状況を切り抜けるために、はからずも共犯関係に手を染めていく。