M.A. Numminen

In „Fuck Off 2“, Donner waxes sarcastic about the scourges in Finnish society by interviewing regular people. The film takes a theme of different living possibilities. Some people find happiness, others succumb to depression. Many still dream of a better life somewhere else. Donner himself undergoes cardiac surgery.

In „Fuck Off 2“, Donner waxes sarcastic about the scourges in Finnish society by interviewing regular people. The film takes a theme of different living possibilities. Some people find happiness, others succumb to depression. Many still dream of a better life somewhere else. Donner himself undergoes cardiac surgery.

TV document about the Finnish music producer Atte Blom.

Joulubileet (The Christmas Party) might well be the closest to the ultimate cult movie that the Finnish film industry has ever gotten. The third directorial effort of Jari Halonen, a clearly distinctive voice in the local filmmaking landscape, is a timeless, absurd and at times completely insane piece of masculine comedy rough not only on the edges, but to the core. A story of Mike, just out of prison, and his buddies throwing a Christmas party under the most obscure circumstances is filled with juicy dialogue and plot twists that will definitely make your jaw drop – and have you chuckle for days after.

Claes Olsson’s first film about M.A.Numminen. Numminen sings Austrian philosopher Ludwig Wittgenstein’s most famous phrase from his book Tractatus Logico-Philosophicus: “Wovon man nicht sprechen kann, darüber muss man schweigen (What we cannot speak about we must consign to silence).”

This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...

Lonely ghost Mister Who goes around scaring orphan kids in this Finnish children's musical.

Lonely ghost Mister Who goes around scaring orphan kids in this Finnish children's musical.

Lonely ghost Mister Who goes around scaring orphan kids in this Finnish children's musical.

Lonely ghost Mister Who goes around scaring orphan kids in this Finnish children's musical.

Pertti Ylermi Lindgren (b. 1936) was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant «stunts» – and he agreed! So, marvel at Lindgren playing Lindgren, and study, on the film's second narrative string, how he's trying to get by, dancing and being charming through the summer of 1970, in dance-halls and pavilions.

Two men and a woman, all rallye drivers, get too closely involved, competing in the race and in love.

Dances are ending. Last chance for women and men to find someone. Special prize at Tampere Film Festival 1970.