Víctor Matellano

A young man performs a Navajo Indian ritual directed at the moon, the same ritual the Indian community performed when the astronauts assigned to Apollo XI trained on their reservation.

Documentary about the species of dinosaur found in Cuenca and protagonist of some installment of Jurassic Park.

Documentary about the species of dinosaur found in Cuenca and protagonist of some installment of Jurassic Park.

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.

A sinister gravedigger recounts some of his favourite tales of love gone awry in horrific fashion, from an anniversary celebration on a ghost train, to a deeply unsettling romantic getaway, to attempts to keep a loved one safe during a virulent pandemic.

A sinister gravedigger recounts some of his favourite tales of love gone awry in horrific fashion, from an anniversary celebration on a ghost train, to a deeply unsettling romantic getaway, to attempts to keep a loved one safe during a virulent pandemic.

A sinister gravedigger recounts some of his favourite tales of love gone awry in horrific fashion, from an anniversary celebration on a ghost train, to a deeply unsettling romantic getaway, to attempts to keep a loved one safe during a virulent pandemic.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

In a stagecoach stop far away in the Wild West the unexpected arrival of a man called "Colonel" will change all of the passengers' peaceful lives. He begins a macabre game, solely asking for one thing - to abide by his law and wait. But the night is long and the vultures perceive the smell of death that the stagecoach stop emits.

In a stagecoach stop far away in the Wild West the unexpected arrival of a man called "Colonel" will change all of the passengers' peaceful lives. He begins a macabre game, solely asking for one thing - to abide by his law and wait. But the night is long and the vultures perceive the smell of death that the stagecoach stop emits.

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

Victor Matellano directs this tale set in a stately English manor inhabited by two older female vampires and with their only cohabitant being a man imprisoned in the basement. Their lives and lifestyle are upended when a trio of campers come upon their lair and seek to uncover their dark secrets, a decision that has sexual and blood-curdling consequences.

Victor Matellano directs this tale set in a stately English manor inhabited by two older female vampires and with their only cohabitant being a man imprisoned in the basement. Their lives and lifestyle are upended when a trio of campers come upon their lair and seek to uncover their dark secrets, a decision that has sexual and blood-curdling consequences.

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

A young journalist has to spend a night in Barcelona's Wax Museum to investigate paranormal activities. He has no idea Dr. Knox, an insane cannibal surgeon, hides in the museum at night.

A young journalist has to spend a night in Barcelona's Wax Museum to investigate paranormal activities. He has no idea Dr. Knox, an insane cannibal surgeon, hides in the museum at night.

Andersen visits the English Cemetery of Málaga, fantasizing about the possibility that the great Danish writer found there his mermaid

Andersen visits the English Cemetery of Málaga, fantasizing about the possibility that the great Danish writer found there his mermaid

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.