Bill Hansard

参加作品

Backstory
Himself
'Backstory' investigates the highly skilled art of 'Rear Projection', a widely used tool in film making in the mid 20th century employed in films such as Alfred Hitchcock's Vertigo or Marnie. In 'Backstory' Lewis invites the Hansard family, which has been instrumental in the provision and development of Rear Projection for hundreds of Hollywood productions over several decades, to tell their own story of the heyday of the techniques and their decline and disappearance as the they are replaced by new technologies and new tastes in visibility.
スカーフェイス
Projection
1980年春、キューバから何千もの人間が自由を求めてアメリカを目指した。その中に、太陽が降り注ぐマイアミに一攫千金を夢見る男がいた。彼の名は、トニー・モンタナ。彼の野望と情熱は、白い粉’コカイン’の一大大国を築き上げていくこと。無一文から暗黒街のボスにのし上がっていくが、頂点に上り詰めた彼を待ち受けた末路とは・・・。
Dead & Buried
Visual Effects Coordinator
After a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses appear to be coming back to life and living normally as locals in the small town.
Sleeper
Projection
Miles Monroe, a clarinet-playing health food store proprietor, is revived out of cryostasis 200 years into a future world in order to help rebels fight an oppressive government regime.