Estela Inda
出生 : 1913-06-28, Patzcuaro, Michoacán, Mexico
死亡 : 1995-12-07
略歴
Stella (or Estela) Inda (June 28, 1917 – December 7, 1995) was a Mexican film actress. She was the star of notable Mexican films, including Los olvidados by Luis Buñuel in 1949. She started her career as extra in the successful film La Mujer del Puerto, starred by Andrea Palma. Also, she participated in Mexican films such as La Noche de los Mayas (1939), Santa (second souns version, 1943), Bugambilia (1944, with Dolores del Río), Amok (1945, with María Félix), and the success films Los olvidados (1949, directed by Luis Buñuel and El Rebozo de Soledad (1955). In the later years, she was an acting teacher in the Instituto Nacional de Bellas Artes in Mexico, and directed a folkloric dance group called "Stella Inda y su Conjunto". In 1947 she had a prominent but uncredited role as the historical personage La Malinche in the Hollywood epic Captain from Castile, opposite Cesar Romero as Hernán Cortés.
Customs Inspector's girlfriend is forced into marriage with the son of a drug kingpin. Payback's a bitch.
After group of racist cops from Texas kill his brother, a young Mexican man stands up to the corrupt bunch in this action-drama.
The two largest ranches in a small town are operated entirely by women, because their menfolk have all emigrated. Seceral of the younger women have boyfriend troubles, and all the women band together to vote their own representative into City Hall as Mayor.
Anthology movie that presents 3 stories about romance.
Mexican feature film
Ambitious young woman decides to leave her backwards hometown and move to Mexico City to study for a scientific degree.
Cuca (segment "Caridad")
Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.
Rosa
Italian crime drama
This is the story of a man, Emiliano Zapata, and of a revolution, the Mexican Revolution.
The High Priestess
A scientist hypnotically regresses a woman to a previous life, a Mayan princess, who leads him to a secret tomb where the princess was buried - and the mummy of an ancient warrior, cursed to live after death and guard the treasure buried with her. Edited by Jerry Warren from the Mexican horror film LA MOMIA AZTECA, and following its general plot but with 36 minutes of new, American-made footage added and English narration in lieu of dubbed dialogue for the Mexican footage.
Aztec Chanteuse
The evil Dr. Krupp, once again trying to get possession of the Aztec princess Xochitl's jewels, hypnotizes her current reincarnation, Flor, to get her to reveal the jewels' location - Xochitl's tomb. Confusion reigns as Krupp and his thugs are opposed by Flor's lover, Dr. Almada, his assistant, and wrestling superhero, El Angel. Krupp finally meets his match, however, when he comes up against Popoca, the warrior mummy who guards Xochitl's tomb.
Aztec Chanteuse
A scientist discovers through hypnosis a mummy who watches over the jewels of an Aztec god for all eternity.
Screenplay
Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.
Soledad
Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.
Pedro's Mother
A group of juvenile delinquents live a violent, criminal life in the festering slums of Mexico City, among them the young Pedro, whose morality is gradually corrupted and destroyed by the others.
Screenplay
In Michoacan in the 1920s, Gabriel, a young farmer and champion cockfighter, finds himself in violent opposition to Roman, who not only wants to beat Gabriel's fighting cock, but to steal Gabriel's wife Rosa.
Romantic triangles, rural/hacienda setting.
Zarca
In mid-nineteenth century Guanajuato, the beauty and charm of the young heiress Amalia conquers the lowly foreman Ricardo with fatal results. Prevented from consummating their love, Ricardo is going to Guanajuato where again later become the rich owner of a mine. On his return, fate has prepared a tragic encounter with Amalia.
A European doctor, in self-imposed exile in some place like Borneo, obsesses crazily over a ruling-class white woman.
Condesa de la Cadena
A stagecoach full of conflictive passengers makes its dangerours way from Mexico to Veracruz during the days of the French Intervention.
Latter part of the career of Padre Morelos, the 18th/19th century military leader. Sequel to... um... El Padre Morelos.
Raquel
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipolito
Virginia
Ranchera melodrama/romance.
Mariana Bermúdez
Plantation owner is way too much into his peasant girls. It causes problems.
Margarita (as Stella Inda)
A 1940 film directed by Rolando Aguilar.
Lol
A white man seduces a local girl in an isolated Mayan village, which makes gods unhappy.
Camelia, a prostitute who works in a low-class cabaret in Mexico City (called "The Blood Stain') meets Guillermo, a young man from the country who just arrived in the city looking for a better life. She offers to take care of him until he gets set up, and the initial friendship soon turns romantic. This inevitably causes problems with Gastón, Camelia's pimp.
Mujer de cabaret
Her father dies... her fiance dumps her... and she can't find a job... so she covers the waterfront. And then one night...
