Writer
Léo is 10 and wise beyond his years. A solitary dreamer who seeks refuge in books. When the carefree 20-year-old Théo steps into his life, it forces Léo out of his shell. Despite their age difference, the two becomes best friends, helping each other face up to their responsibilities.
Director
Léo is 10 and wise beyond his years. A solitary dreamer who seeks refuge in books. When the carefree 20-year-old Théo steps into his life, it forces Léo out of his shell. Despite their age difference, the two becomes best friends, helping each other face up to their responsibilities.
Writer
Director
Screenplay
Thirty-five-year-old Max has a successful career and a beautiful wife, but one day he realises that his life isn’t exactly as he’d planned. He decides to leave it all behind to live out his teenage dream of being in a rock band. But fulfilling his dream at this point in his life is harder than he had imagined.
Director
Thirty-five-year-old Max has a successful career and a beautiful wife, but one day he realises that his life isn’t exactly as he’d planned. He decides to leave it all behind to live out his teenage dream of being in a rock band. But fulfilling his dream at this point in his life is harder than he had imagined.
Scenario Writer
30 ans, l'âge des responsabilités... Martin s'apprête à partir en vacances avec sa femme Ariane et sa fille Cerise, 4 mois... C'est alors qu'il croise Constance, son ex, son amour de jeunesse, elle-même flanquée de deux marmots. C'est décidé : on passera quelques jours ensemble, au soleil, dans la maison familiale. Comme au bon vieux temps.
Director
30 ans, l'âge des responsabilités... Martin s'apprête à partir en vacances avec sa femme Ariane et sa fille Cerise, 4 mois... C'est alors qu'il croise Constance, son ex, son amour de jeunesse, elle-même flanquée de deux marmots. C'est décidé : on passera quelques jours ensemble, au soleil, dans la maison familiale. Comme au bon vieux temps.
Director
Nine comedians meet at the Acteurs Anonymes, a rehab center for acting, lost in the heart of Aveyron.
Writer
After fatally shooting a stalker, Parisian bar-maid Lea must live the life of the title reptile. At the time of the killing she was living with Francis, a much older American ex-con. After committing the murder, the fleeing and frightened Lea is saved by Paris paper boys Jean and Luc. Later she tells her sad story to hard-drinking Moskowitz, a middle-aged cop who secretly desires her. His unrequited love leads to tragedy. Meanwhile, Lea continues living with Francis, but also shacks up with Luc while trying to avoid the jealous cop.
Director
After fatally shooting a stalker, Parisian bar-maid Lea must live the life of the title reptile. At the time of the killing she was living with Francis, a much older American ex-con. After committing the murder, the fleeing and frightened Lea is saved by Paris paper boys Jean and Luc. Later she tells her sad story to hard-drinking Moskowitz, a middle-aged cop who secretly desires her. His unrequited love leads to tragedy. Meanwhile, Lea continues living with Francis, but also shacks up with Luc while trying to avoid the jealous cop.
Author
France has been living alone in her apartment since the death of her husband. When she hears on the radio that the Singa association puts homeless migrants in contact with people who can take them in, she decides, against the advice of her family, led by her son, to take in Reza, a young Afghan broken by war and exodus. This is the story of two worlds that collide, get used to each other and end up reaching out to each other.
Screenplay
France has been living alone in her apartment since the death of her husband. When she hears on the radio that the Singa association puts homeless migrants in contact with people who can take them in, she decides, against the advice of her family, led by her son, to take in Reza, a young Afghan broken by war and exodus. This is the story of two worlds that collide, get used to each other and end up reaching out to each other.
Director
France has been living alone in her apartment since the death of her husband. When she hears on the radio that the Singa association puts homeless migrants in contact with people who can take them in, she decides, against the advice of her family, led by her son, to take in Reza, a young Afghan broken by war and exodus. This is the story of two worlds that collide, get used to each other and end up reaching out to each other.
