Heiny Srour

Film by Heiny Srour

Film by Heiny Srour

Explores sexual politics in Vietnam today through the individual stories of four Vietnamese women from different social strata and different generations.

Sheikh Imam Mohammad Ahmad Eissa, born 1918, is famous throughout the Arab world for his folk songs indicting the ruling classes. Considered the voice of the oppressed, he is banned from state television and radio, and has been imprisoned numerous times, including in 1974 for the occasion of President Nixon's visit. With scenes of Egyptian street life set to his often caustic musical criticisms of his native Egypt's upper classes, the Sheikh's message is that "If a beautiful thing is suppressed today, it will rise tomorrow."

Drawing on the Arab heritage of oral tradition and mosaic pattern, Leila and the Wolves is an exploration of the collective memory of Arab women and their hidden role in history throughout the past half century of the Middle East, both in Palestine and in Lebanon. The film is a modern-day fairy tale about the suppressed history of Arab people and especially Arab women. Through the eyes of Leila, a Lebanese student dissatisfied with the official, colonial, male-dominated version of "history," the film reconstructs women's daily unglamorous and silent sacrifices as much a part of history as men's military "heroic" action.

In the late 1960s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, Marxist-Leninist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.

In the late 1960s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, Marxist-Leninist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.

In the late 1960s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, Marxist-Leninist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.

In the late 1960s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, Marxist-Leninist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.

Debut film by Heiny Srour, lost during the Lebanese civil war.