Ronald Bailey

The once handsome Rafi has a recently disfigured face that makes it difficult for him to meet other men. When a close friend introduces him to Joe, Rafi feels strangely drawn to the stranger. Yet he isn’t sure why Joe doesn’t seem to mind his scars and as Rafi knows only too well, appearances are deceiving…

現代から約5000年前のテーベ（紀元前3078年頃）。屈強な戦士スコーピオン・キングは世界を征服すべく、大戦を起こした。7年にも及ぶ大戦の果てに敗れたスコーピオン軍は「アム・シェアーの聖なるオアシス」まで逃げ延び、最後はスコーピオンのみとなった。死の瞬間、スコーピオンはアヌビス神へ誓いを申し出た。「自分の命を助け、敵を倒させるなら、自分の命（魂）を捧げよう」というその願いにアヌビス神は応じ、自らの軍勢を与えて敵を倒させた後、スコーピオンを永遠の僕とする。

A dissatisfied teen disappears from his small town, leaving friends to wonder about his whereabouts.

Using a blend of magic realism and realist drama, Memsahib Rita looks at the physical and emotional violence of racism. Shanti is haunted by both the racist taunts of nationalist white youths and the memory of her white mother.

A semi-autobiographical account of a move from Sri Lanka to Britain, which explores "being inbetween East/West, mother/father, male/female". The filmmaker was born in Sri Lanka and brought up in the traditions of European culture and Roman Catholicism. He moved to England to live and work, and the film, which combines drama and documentary, is a personal account of his "negotiation of his personal history".

長年勤めた職場を追われ、家族も恋人もなく、人生に絶望したアンリは、自殺を試みるもうまくいかず、思い余ってプロの殺し屋“コントラクト・キラー”に自分の殺しを依頼する。が、その直後、アンリは花売り娘のマーガレットと恋に落ちてしまい……。

A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.

A girl finds herself inside a fashion magazine – Joanna Hogg's graduation piece at the National Film and Television School starring a then unknown Tilda Swinton.