Anne Haug

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

When his younger sister, a single parent, moves into the second apartment with her 5-year-old daughter Nina, an unexpected friendship develops between Josef and the uncared-for little girl.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

When Leila discovers at her sister Amanda's wedding that the latter is pregnant, she promptly reveals the carefully guarded secret. While the guests are happy, Amanda worries about her career and Leila about her fertility. Panic-stricken, Leila sets herself a goal: get pregnant! So together with her friend Sophie she throws herself into the nightlife. Sophie is more concerned with the search for babysitters and probably won't snatch a man from her.

Nina and Karl are a perfectly normal, crazy couple. They can't live with or without each other. But suddenly, Nina can no longer stand the routine and decides to run away. She wants to be somebody else, though not (yet) an adult. The unfamiliar loneliness also affects Karl. Nina, meanwhile, doesn't seem to be able to get rid of Karl quite so easily.

ドイツの現役弁護士作家フェルディナント・フォン・シーラッハの世界的ベストセラー小説を映画化した社会派サスペンス。新米弁護士カスパー・ライネンは、ある殺人事件の国選弁護人を担当することに。それは、ドイツで30年以上にわたり模範的市民として働いてきた67歳のイタリア人コリーニが、ベルリンのホテルで経済界の大物実業家を殺害した事件で、被害者はライネンの少年時代の恩人だった。調査を続ける中で、ライネンは自身の過去やドイツ史上最大の司法スキャンダル、そして驚くべき真実と向き合うことになる。主人公ライネンを「ピエロがお前を嘲笑う」のエリアス・ムバレク、被告人コリーニを「続・荒野の用心棒」の名優フランコ・ネロが演じる。監督は「クラバート　闇の魔法学校」のマルコ・クロイツパイントナー。

Frida wants a baby. But although she forces her boyfriend to follow a strict fertilization regimen, she’s not getting pregnant. Just when she’s about to resort to artificial means, her boyfriend dumps her. Suddenly, she’s missing the most important pregnancy ingredient – the father. But Frida will stop at nothing to get her baby.

The shy late twenties Torsten tile lives with his mother in a bleak Berlin slab. In the guise of his alter ego "Lux - Warrior of Light" he tries to make the world a little bit better. He distributes food to the homeless and helps out on his forays through the city wherever he can. A film crew accompanies him to make a documentary about the social engagement of the self-appointed real-life superhero. Jan, the director, is still looking for a donor. The resourceful producer Brandt shows interest, but on condition that he sees something spectacular.

In the artist colony Rocket Perelman ten people strive to live their version of freedom and independence - everybody for themselves and all together. But that's hard work, since the joined theatre production puts the groups' idealism to a hard test.

Mila and Charly use this way of escapism to avoid facing their respective crises. Hoping to find new ways of coping with their inner dead ends, they decide to take a trip to the sea but not take into account that they are taking themselves with them.

About friendship, cats and sex. While having a late night reunion, four friends discuss their relationships with cats and humans alike and discover unforeseen coherences.

Two young women arrive in a town at a scenic lake, the day after carnival. On the shore lays the body of a man in a wig, with a shark fin attached to his back. A folkloristic ritual is set in motion, evoking a sacred place.

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.