Alex Anton

Two diverse families meet for the first time over Christmas dinner. The evening goes off the rails right from the start when the male host couple reveal a closely guarded secret: there's also a hostess in the house, and she's very pregnant! Of course, the frantic group of relatives don't take the news lightly and demand the paternity to be confirmed - which is no simple task. A series of misunderstandings drives the Christmas guests to the brink of a nervous breakdown, and as the evening progresses, Santa Claus himself is forced to look in the mirror. Their Christmas together seems doomed to failure until, to everyone's surprise, the evening culminates in a heart-melting Christmas miracle.

A young Start-up entrepreneur tries to start importing potato to 17th century Finland. The new class of bourgeoisie is emerging and shaking up the stagnant spirit of the era. But nobody believes in potato, and the Turnip-Sellers Guild decides to squash the disturbance caused by the young entrepreneurs. In the end, the bumpy road of potatoes grows into mythical proportions.

Miami is the story of two sisters who have grown up separately. The older sister, Angela, is an exotic dancer with her own touring dance group. The younger, Anna, on the threshold of adulthood, lives in a small town working in sales. When their father dies, Anna looks for and finds Angela. The fascinating, high-strung Angela asks the timid Anna to accompany her on tour and, before long, trouble from Angela’s past catches up to them and the sisters’ love is put to the test.

A 14-year-old boy in a stifling Helsinki slum takes some unwise life lessons from his soon-to-be-incarcerated older brother, in Finnish master Pirjo Honkasalo’s gorgeously stylized and emotionally devastating work about what we pass on to younger generations, and the ways we do it.

At first glance Maarit looks like any other woman in her early forties. There is, however, something strange under the surface. She radiates sexual energy that is hard to define.

11-year-old Onni is struck with the idea that his parents aren't his biological parents.

As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.