Amber An

Amber An

出生 : 1985-09-18, Taichung, Taiwan

略歴

Amber An is a Taiwanese actress, singer, television host, and model.

プロフィール写真

Amber An

参加作品

The Post-Truth World
Zhang Zheng-Fang
A has-been newscaster Liu Li-min is taken hostage by an escaped inmate Zhang Zheng-yi, who pleads his innocence. To Liu's astonishment, Zhang claims that he was smeared by Liu's departed wife. Thus, Liu teams up with Zhang and reinvestigates Zhang's murder case to help his beloved be cleared of blame. However, the more they get to the bottom of the case, the further the truth is beyond their reach.
つかみ損ねた恋に
Nan Chihyang's ex girlfriend(voice)
A woman who was overwhelmed by work and had no time to imagine the future. Her paralyzed life was interrupted by a live-streaming man who always has fun in life and acts wildly, resulting in a series of fermentation processes.
A Fool in Love, Love Like a Fool
Born into a wealthy family, Xiao-wei lives a carefree life with his loving mother's care. He enjoys reading picture books written by his favorite author Kauff, especially those works about mermaids. One day, he accidentally takes the wrong bus, arrives at the seacoast and meets a mermaid, Blue. He believes Blue is the embodiment of the character in those picture books. Since then, Xiao-wei's "normal life," has become not "normal."
Killer Not Stupid
Talia
Hornet (played by Jay Shih) and Mark (played by Nadow) decide to end their careers as assassins with a final mission. Along the way, they meet their former classmate, Sha Bao (played by Gadrick Chin), a drug lord's god-daughter Talia (played by Amber An), and her friend Ira (played by Apple Chan) from the Philippines. Things get complicated as they are each hunted by their own enemies. Action ramps up as they begin their hilarious adventure in Taiwan.
The Big Day
Shu Yu
When Su Yu, a free-spirited diving instructor, says “Yes” to Nuo Yan, a modern funeral director, she imagines a simple, peaceful wedding. But the reality is just the opposite! From overbearing in-laws, to oppressive loansharks, to a jealous best friend, to a house on fire and a funeral on the wedding day itself, Su Yu and Nuo Yan’s love for each other is tested by family, foes and fate. Will their wedding be the event that brings them closer or tears them apart?
The Big Power
Zhu Ge Liang stars as Wang Fu Gui, the 18th generation master of Baoping Temple. Despite his auspicious name, Wang is in reality a hopeless gambler who never wins. After going broke, he moves south in hopes of mooching off his wealthy brother-in-law (Namewee), but as life would have it, his brother-in-law suffers a stroke. Wang's luck takes another turn, however, when he meets female ghost Lin Qing Xia (Amber An), a famous singer who died 30 years ago. Wang utilizes Qing Xia's powers to help others, earning him the reputation of being a living deity. Meanwhile, Qing Xia wants Wang to help resolve her grudge.
The Stolen Years
Lily
He Man awakes from a coma thinking that she’s still on her honeymoon with her husband Xie Yu, but she gets a rude shock: there’s a five-year gap in her memory, and during that time the couple has divorced. Confused and desperate to figure out how their marriage crumbled, He Man seeks out her ex-husband and her ex-best-friend for answers.
Forever Love
From the school of romanticised whimsy that Taiwan has perfected over the last few years comes this comedy set during 1960s heyday of Taiwanese language cinema. When her filmmaker grandfather, Liu Chi-Sheng, lands in hospital, 18-year-old Jie has him recount the love story between him and her grandmother, Chiang Mei-Yue, that happened during a visit of the film sets of Beitou. Told in sweetly campy cinema flashbacks and semi-animated inserts, Forever Love is a love letter to Taiwanese cinema as much as it is a romance for the ages.
Westgate Tango
Hsiao Moé
Feature debut by notable film critic Wang Wei. The film takes Taipei’s trendy Ximending district, best known for its mix of alternative lifestyles, youth fashion and the antimony of adolescent life, and provides an upbeat story of damaged young people finding their purpose in life. The film’s upbeat tone may appeal to some, but the complexity of the background is obliterated by rom-com stereotypes.