Sijia Luo
出生 : , Guangdong, China
略歴
She was born in Guangdong, China, and moved to Japan in 2016. She received her Ph.D. in animation film from Tokyo State University of Fine Arts School of Visual Studies in 2020. She currently works as a creator and producer of animation film. He has won awards in animation festivals in China, USA, and Germany, including the special jury prize of Feinaki Beijing Animation Week in 2020. He participated in the RAM PRACTICE 2021 EXHIBITION in Tokyo, an international computer graphics competition by invitation in 2021. She is particularly interested in incorporating elements of non-visual art into her works.
Director
The eleventh episode “Sirens” of the novel Ulysses by Irish author James Joyce, is readen by the voice of a machine. In this film, I used photographs I took before 2020 to imitate the sounds and voices described in the text. In the end, the dance of the manipulated body with animation comforted the anxious body that had locked itself in a room.
Vocals
There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
Music Editor
There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
Writer
There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
Music
There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
Animation
There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
Director
There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
Animation
A speeding car leaps onto the highway of Time and hurtles forward -- its velocity is limitless.
Director
A speeding car leaps onto the highway of Time and hurtles forward -- its velocity is limitless.
Director
Animation
The fragments of information scatter amongst computer and Internet, and constitute the world of Red and Blue. When they meet, their faces look red, but are their moods also a little blue?
Director
The fragments of information scatter amongst computer and Internet, and constitute the world of Red and Blue. When they meet, their faces look red, but are their moods also a little blue?
