Miguel Salgado

On their way back home from a baseball academy’s tryouts, Pedro and Lucio are taken hostage and turned over to a criminal group. The teenage friends are forced to fight each other to death; Pedro defeats Lucio and manages to escape. Pedro receives help and refuge with Lucio’s family and he witnesses the family’s collapse and pain. Pedro is tormented with guilt and fear, he cannot tell his friend’s family the truth.

On their way back home from a baseball academy’s tryouts, Pedro and Lucio are taken hostage and turned over to a criminal group. The teenage friends are forced to fight each other to death; Pedro defeats Lucio and manages to escape. Pedro receives help and refuge with Lucio’s family and he witnesses the family’s collapse and pain. Pedro is tormented with guilt and fear, he cannot tell his friend’s family the truth.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

The impossibility of guide her three daughters in life and the constant failed promise to be a good mother frustrate and imprison Susana more and more. Ana and Clara, her older daughters, decide to release her from her burden.

A woman who escapes an overwhelming reality into a world of nightmares, by eating the forbidden fruit of Paradise's Tree of Eternal Life; a very frustrated man, both in his professional and love life, whose serial killer dreams may become a reality; and an autobiographical documentary on the director's healing process of a terminal cancer. A film divided in three chapters: heaven, hell and the world.

Bruno, 19 years old, has not begun his sexual life. He feels guilty about his brother's death and one of his exgirlfriends, who happens to be his first love, is back in town to help him out.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Gustavo travels to the desert of Wirikuta in search of native species for his research. During his journey into the desert a series of strange events haunt him until one night he is assaulted, losing all of his belongings. The will to survive forces him to start the trek across the desert. It seems all is lost until Ana, his dead wife, appears. With the help of an old Huichol, Gustavo will confront his past and present life.

Tells the story behind an assassination attempt perpetrated in 1897, by a dipsomaniac man, against the President of the Mexican Republic, General Porfirio Diaz.

Valeria's family is all love and harmony. However - when Valeria decides to terminate her piano lessons- a secret comes to light- and everything inside the family starts convulsing in an atonal tragedy....

Valeria's family is all love and harmony. However - when Valeria decides to terminate her piano lessons- a secret comes to light- and everything inside the family starts convulsing in an atonal tragedy....

After taking part in an execution by lethal injection, a doctor begins to feel overwhelmed by guilt. He decides to seek a way out.