Editor
The Taste of Nothingness is a meditative exploration of the deliberate self-destruction of a seemingly normal teenager and his intimate friend. With his parents away, Julien has decided to commit suicide, with his friend Niels filming him. First seen naked in bed together, the handsome youths awaken, dress, and begin to methodically discard all of Julien's possessions and attachments. Demonstrating a casual ease with one another and their bodies, they wordlessly record both the mundane and unusual aspects of these last two days of life. The Taste of Nothingness is a challenging but rewarding experimental film that haunts the viewer long after it ends.
Director of Photography
The Taste of Nothingness is a meditative exploration of the deliberate self-destruction of a seemingly normal teenager and his intimate friend. With his parents away, Julien has decided to commit suicide, with his friend Niels filming him. First seen naked in bed together, the handsome youths awaken, dress, and begin to methodically discard all of Julien's possessions and attachments. Demonstrating a casual ease with one another and their bodies, they wordlessly record both the mundane and unusual aspects of these last two days of life. The Taste of Nothingness is a challenging but rewarding experimental film that haunts the viewer long after it ends.
Producer
The Taste of Nothingness is a meditative exploration of the deliberate self-destruction of a seemingly normal teenager and his intimate friend. With his parents away, Julien has decided to commit suicide, with his friend Niels filming him. First seen naked in bed together, the handsome youths awaken, dress, and begin to methodically discard all of Julien's possessions and attachments. Demonstrating a casual ease with one another and their bodies, they wordlessly record both the mundane and unusual aspects of these last two days of life. The Taste of Nothingness is a challenging but rewarding experimental film that haunts the viewer long after it ends.
Writer
The Taste of Nothingness is a meditative exploration of the deliberate self-destruction of a seemingly normal teenager and his intimate friend. With his parents away, Julien has decided to commit suicide, with his friend Niels filming him. First seen naked in bed together, the handsome youths awaken, dress, and begin to methodically discard all of Julien's possessions and attachments. Demonstrating a casual ease with one another and their bodies, they wordlessly record both the mundane and unusual aspects of these last two days of life. The Taste of Nothingness is a challenging but rewarding experimental film that haunts the viewer long after it ends.
Director
The Taste of Nothingness is a meditative exploration of the deliberate self-destruction of a seemingly normal teenager and his intimate friend. With his parents away, Julien has decided to commit suicide, with his friend Niels filming him. First seen naked in bed together, the handsome youths awaken, dress, and begin to methodically discard all of Julien's possessions and attachments. Demonstrating a casual ease with one another and their bodies, they wordlessly record both the mundane and unusual aspects of these last two days of life. The Taste of Nothingness is a challenging but rewarding experimental film that haunts the viewer long after it ends.
Editor
William is constantly shooting video journals of his life to have as souvenirs for himself. Feeling the end of his relationship with Médéric, his young lover, William spends two days camping with him, taking advantage of the situation by filming the trip and their time spent with another young gay couple. The camera never stops shooting, even when Médéric decides to get it on with another guy in a tent. As Canada's first Dogme95 film, the story is shot on location, with natural lighting and live sound, the camera is hand-held and all superficial elements are forbidden. Yet somehow, in spite of these harsh restrictions during the filmmaking process, the result is warm and beautiful.
Director of Photography
William is constantly shooting video journals of his life to have as souvenirs for himself. Feeling the end of his relationship with Médéric, his young lover, William spends two days camping with him, taking advantage of the situation by filming the trip and their time spent with another young gay couple. The camera never stops shooting, even when Médéric decides to get it on with another guy in a tent. As Canada's first Dogme95 film, the story is shot on location, with natural lighting and live sound, the camera is hand-held and all superficial elements are forbidden. Yet somehow, in spite of these harsh restrictions during the filmmaking process, the result is warm and beautiful.
Producer
William is constantly shooting video journals of his life to have as souvenirs for himself. Feeling the end of his relationship with Médéric, his young lover, William spends two days camping with him, taking advantage of the situation by filming the trip and their time spent with another young gay couple. The camera never stops shooting, even when Médéric decides to get it on with another guy in a tent. As Canada's first Dogme95 film, the story is shot on location, with natural lighting and live sound, the camera is hand-held and all superficial elements are forbidden. Yet somehow, in spite of these harsh restrictions during the filmmaking process, the result is warm and beautiful.
Writer
William is constantly shooting video journals of his life to have as souvenirs for himself. Feeling the end of his relationship with Médéric, his young lover, William spends two days camping with him, taking advantage of the situation by filming the trip and their time spent with another young gay couple. The camera never stops shooting, even when Médéric decides to get it on with another guy in a tent. As Canada's first Dogme95 film, the story is shot on location, with natural lighting and live sound, the camera is hand-held and all superficial elements are forbidden. Yet somehow, in spite of these harsh restrictions during the filmmaking process, the result is warm and beautiful.
Director
William is constantly shooting video journals of his life to have as souvenirs for himself. Feeling the end of his relationship with Médéric, his young lover, William spends two days camping with him, taking advantage of the situation by filming the trip and their time spent with another young gay couple. The camera never stops shooting, even when Médéric decides to get it on with another guy in a tent. As Canada's first Dogme95 film, the story is shot on location, with natural lighting and live sound, the camera is hand-held and all superficial elements are forbidden. Yet somehow, in spite of these harsh restrictions during the filmmaking process, the result is warm and beautiful.
