Laila Mikkelsen

参加作品

Anna
Casting
Disappointment, shame and unanswered love. Anna has to experience everything in a single evening, only 15 years old.
Bussene
Producer
Larry likes to look for usable wreckage in a bus graveyard. One day he makes a nasty discovery.
X
Producer
Jon Gabriel is in his mid 20s when he meets 13-year-old Flora. X depicts the evolution of their relationship as they struggle to survive in the cold and dirty cityscapes of Oslo in the '80s.
Snart 17
Writer
Marianne is going on 17, she feels too fat, and struggles with the ideals girls have to live up to to get accepted. When she meets her penpal Svein for the first time things look up, but she soon has to face new and unexpected problems when she discovers she is pregnant. Not being able to get support even from her own family, she has to make her life's most difficult decision on her own.
Snart 17
Director
Marianne is going on 17, she feels too fat, and struggles with the ideals girls have to live up to to get accepted. When she meets her penpal Svein for the first time things look up, but she soon has to face new and unexpected problems when she discovers she is pregnant. Not being able to get support even from her own family, she has to make her life's most difficult decision on her own.
Twilight's Last Gleaming....
Producer
Arve Nor is exposed to a boat accident alone on the sea, taking a settlement with his own identity in his last moment on earth.
Søsken på Guds jord
Writer
Norwegian TV-drama
Søsken på Guds jord
Director
Norwegian TV-drama
Little Ida
Writer
Little Ida's mother is working for the Germans during WW2, and she is also having a relationship with a German SS-officer. Ida is experiencing the problems of having a mother who is involved with the enemy, without being old enough to understand what is actually going on.
Little Ida
Director
Little Ida's mother is working for the Germans during WW2, and she is also having a relationship with a German SS-officer. Ida is experiencing the problems of having a mother who is involved with the enemy, without being old enough to understand what is actually going on.
Nedtur
Production Manager
Three people wake up in an apartment at broad daylight, after a heavy party the day before. Christian is a family man and a freelance photographer is waking up in his studio, and his friend Nils, an artist. But who is the girl?
Bildene omkring oss
Director
A collage film about weekly magazines.
Oss
Writer
Oss
Director
Ukeslutt
Writer
«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity
Ukeslutt
Director
«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity
Obos og byen
Director
Short documentary on Obos, a building cooperative in Oslo.