Clyde Phillips

Clyde Phillips

略歴

Clyde Phillips is a producer and writer, known for Dexter (2006), Parker Lewis Can't Lose (1990) and Get Real

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Clyde Phillips

参加作品

Police Story: Cop Killer
Executive Producer
The best friend and partner of a dedicated cop is killed by a pair of holdup men during a routine traffic check.
Midas Valley
Executive Producer
Set in Silicon Valley, California, follows the lives of a group of people involved in the competitive world of computer electronics and the greed, passion and intrigue amongst them.
Midas Valley
Writer
Set in Silicon Valley, California, follows the lives of a group of people involved in the competitive world of computer electronics and the greed, passion and intrigue amongst them.
Not in Front of the Children
Supervising Producer
Divorced for two years, Nancy Caruthers, asks her new lover, Paul Adams, a medical student, to move in. She has custody of her two daughters, but this new living arrangement prompts her ex-husband, Richard to sue for custody, based on moral grounds. He does not really want the girls to live with him, but his strict religious background will not allow him to stand by and let them be raised in an atmosphere of 'sin.'
If Things Were Different
Producer
A woman tries to cope with her husband's emotional instability while also juggling a career as a local TV show director, her motherly duties, and an extramarital affair.
The Darker Side of Terror
Associate Producer
A psychological thriller about a research biologist who, angered when an associate is given a position over him based on stolen research findings, agrees to assist his former professor in a cloning experiment in which a duplicate of himself is created -- and which then, with a mind and will of its own, falls in love with the biologist's wife.
Bud and Lou
Producer
They were the greatest partners that ever partnered, partner. No, I haven’t lost the ability to write, I’m simply repeating the word repeated ad nauseam in the 1978 television biopic, Bud and Lou. I avoided watching/reviewing this for a while, predominately because I know absolutely nothing about Abbott and Costello, and the duo, embodied by Buddy Hackett and Harvey Korman, instilled a belief this was a cheapo TV movie….which it is. Bud and Lou plays as if the screenwriter read a Sparknotes write-up about the duo and thought it was too long. On top of it all, the characters are bipolar in temperament and horribly miscast. For a movie about two comedians, the only humor derived is in the belief this television movie was a good idea. Bud Abbott (Korman) and Lou Costello (Hackett) struggle to rise up the burlesque ranks, eventually becoming successful comedic actors. However, various problems complicate their fame.