Tarasankar Bandyopadhyay

There are a particular class of Brahmins called Agradani, who are to be the chosen to perform the eating rituals on behalf of the dead. Poonnyo Chakraborty, a poor man belongs to the Agradani community lives with his family in a village. Local zamindar promises him to provide lands and money if Poonnyo lie down in front of the room where Zamindar's son is going to be born. In morning Poonnyo watches that zamindar's wife again gave birth to a dead child, soon he replaces the dead son with his new born baby. The baby grown ups as zamindar's son. Only Poonnyo knows that he is the biological father of the boy. One day a circumstances comes where he is forced to perform the funeral rituals for his own son.

Moni, a Bengali woman, marries Ranju, a young man who belongs to a wealthy family of landlords. However, her marital bliss is short-lived when she discovers a string of secrets and conspiracies.

The story revolves around Pratima who pledges to destroy the relationship between Neera and Binu, as she loves Binu.

Bollywood 1970

Pradyut Sen is an allopathic doctor who moves to Nabagram to run his practice. However, as the village already has an ayurvedic doctor, Jibon Sen, Pradyut develops a dislike for him.

Pranbir goes to war where he meets his doppelganger, Rateshwar, who eventually dies in combat. Pranbir decides to visit Rateshwar's family to inform them about his death but the family mistake him for Rateshwar.

Pranbir goes to war where he meets his doppelganger, Rateshwar, who eventually dies in combat. Pranbir decides to visit Rateshwar's family to inform them about his death but the family mistake him for Rateshwar.

The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.

Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.

During WWII an army doctor is brought a drunken Anglo-Indian woman, whom he'd once loved, for treatment.

The plot revolves with series of flashbacks which reveals a judge's past and hidden secretes. Gyanendra, a judge lives with his wife Sarama. Being the Judge, every time of trial of similar cases he remembers his past, the truth about his questionable actions. Gyanendra always recalls when he was a popular lawyer, married to Sumoti, a suspicious and rude lady. But he had a weak feelings for his professor's daughter Sarama. One day Gyanendra's house was burnt and his first wife Sumoti dies. Gyanendra could not make any attempt to save her perhaps he was unable bear Sumati further. Thereafter he marries Sarama and becomes a judge but he realizes his crime and those past haunts him much.

A wealthy landlord who lives a decadent life with his wife and son. His passion - his wife would call it his addiction - is music, and he spends a great deal of his fortune on concerts held for the locals in his magnificent music room. He feels threatened by his neighbour, a commoner who has attained riches through business dealings. His passion for music and quest for social respect are his undoing, as he sacrifices his family and wealth trying to retain it.

Raikamal narrates the story of Rai Kamal, a devotee of Lord Krishna. Rai Kamal and Ranjan are childhood sweethearts. When Ranjan grows up he wishes his desire to marry Rai but his parents are against this match as they are Brahmins and Rai Kamal was a low caste Vaishnav.

Setap, a money-minded man, gets insecure when he hears a rumour about his dutiful wife and spendthrift brother, Mahatap. Soon, things go out of hand when Setap's rage takes over. Setap became mad hearing those words from Ghoton.

A film by Tarashankar Banerjee.

A film by Tarashankar Banerjee.

One of the early films of Chhabi Biswas featuring him as a leading man, before he came to be associated with the dominating patriarch roles that have become iconic in Bengali cinema, the film is a tale of the love, relationships and ideals of two generations. Nutubihari is an idealist who has given up his love for Kalyani for the sake of his beliefs. He marries Bimala and becomes a lawyer, fighting for the rights of the poor against the feudal lords. Meanwhile, Kalyani comes to ask refuge after she becomes a widow and is inexplicably accepted by Bimala with a lot of warmth. As the years pass Kalyani's daughter Mamata and Nutu's oldest son Arun fall in love and wish to get married. However, the new-found fame and fortune turns his head and Nutu begins to resemble all the ideals and vices that he had always despised. On the other hand in an ironical turn of events, Arun comes to occupy the position once held by his father, highlighting the generational conflict of ideals.