Lois Patiño

Lois Patiño

出生 : 1983-04-02, Vigo, Pontevedra, Galicia, Spain

略歴

Lois Patiño was born in Vigo (Spain) in 1983. He combined his Psychology studies in the Complutense University of Madrid with cinema studies at TAI School. He followed his cinema education at NYFA, in New York and with the Master in Documentary Film at Pompeu Fabra University in Barcelona. He has developed courses of videocreation in the UdK of Berlin, and in different ateliers with artist and filmmakers such as Joan Jonas, Donald Kuspit, Pedro Costa, Víctor Erice, José Luis Guerín or Daniel Canogar. His videos and videoinstalations have been shown in art centres such as Centro Cultura San Martín (Buenos Aires), Casa Encendida (Madrid), CCCB (Barcelona), MARCO (Vigo), Solar Galeria (Portugal)... His films have been screened at international festivals as Locarno, Rotterdam, San Francisco, Ann Arbour, Cinema du Rèel, Rome IFF, Viennale, Jhilava, Media City, Punto de Vista... or in Rencontres Internationales París/ Berlín/ Madrid, which took place in Centre Georges Pompidou (París), Reina Sofía Museum (Madrid) and Haus der Kulturen der Welt (Berlin). Specific focuses on his work have been developed in places as the New York Film Festival (Views form the Avant Garde), Flaherty Seminar (Colgate University) in BAFICI (Argentina) or Festival of Cali (Colombia). He has been invited to show their work at universities such as Harvard (Sensory Ethnography Lab), California College of the Arts, FUC (Buenos Aires) or Instituto Politécnico (Porto). With his work "Mountain in Shadow" won prizes at Oberhausen IFF (Germany), Clermont-Ferrand (France), Bucharest Experimental FF. And at the Locarno IFF he recieved the prize for the best emerging director with his work "Costa da Morte". This feature film also get prizes in festivals such as Jeonju IFF (South Corea), FICUNAM (México) Festival dei Popoli (Italy), Valdivia IFF (Chile) or Seville European Film Festival (Spain). He is represented by The New Gallery (Madrid) and Vilaseco-Hauser Gallery (A Coruña - Stuttgart), and by the film producers Zeitun Films (A Coruña). More info: loispatino.com

プロフィール写真

Lois Patiño

参加作品

Samsara
Editor
Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, alongside with teenage monks, we will accompany a soul in its transit from one body to another through the bardo. The words of the "Tibetan Book of the Dead" will be our guide to avoid getting lost in the afterlife. A luminous and sonorous journey that will lead us to reincarnate on the beaches of Zanzibar, where groups of women work in seaweed farms.
Samsara
Screenplay
Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, alongside with teenage monks, we will accompany a soul in its transit from one body to another through the bardo. The words of the "Tibetan Book of the Dead" will be our guide to avoid getting lost in the afterlife. A luminous and sonorous journey that will lead us to reincarnate on the beaches of Zanzibar, where groups of women work in seaweed farms.
Samsara
Director
Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, alongside with teenage monks, we will accompany a soul in its transit from one body to another through the bardo. The words of the "Tibetan Book of the Dead" will be our guide to avoid getting lost in the afterlife. A luminous and sonorous journey that will lead us to reincarnate on the beaches of Zanzibar, where groups of women work in seaweed farms.
El sembrador de estrellas
Director
Distant lights reveal the outline of a city. Illuminated ships cross the water with sleeping people on board and the night appears to become liquid. The sower of stars wakes them and travels with them through the city. They talk about this and that – and say goodbye to everything.
Sycorax
Screenplay
Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.
Sycorax
Director
Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.
Visións Inéditas
Director
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.
Red Moon Tide
Editor
Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.
Red Moon Tide
Director of Photography
Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.
Red Moon Tide
Writer
Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.
Red Moon Tide
Director
Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.
Fajr
Writer
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Fajr
Editor
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Fajr
Cinematography
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Fajr
Director
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
O espírito de Pucho Boedo
Director
Locked themselves for days in the Sevillian studio of La Mina, located in a house with a large pool, forces the members of the Galician punk-pop group Carminha Novedades to think about their songs. We find them living their new album 24 hours a day.
Red Sun
Director
The HADAL project, that includes SOL ROJO (Red Sun), is an immersion into the oceanic abyss.
Night Without Distance
Writer
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.
Night Without Distance
Editor
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.
Night Without Distance
Cinematography
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.
Night Without Distance
Director
An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.
Strata of the Image
Cinematography
The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: "The landscape are layers of time condensed into an image". We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.
Strata of the Image
Director
The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: "The landscape are layers of time condensed into an image". We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.
The Image Burns
Editor
Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.
The Image Burns
Cinematography
Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.
The Image Burns
Director
Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.
Coast of Death
Cinematography
Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.
Coast of Death
Editor
Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.
Coast of Death
Director
Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.
Mountain in Shadow
Director of Photography
A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.
Mountain in Shadow
Editor
A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.
Mountain in Shadow
Director
A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.
In Landscape's Movement
Director
Duration-Landscape: Road
Editor
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.
Duration-Landscape: Road
Cinematography
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.
Duration-Landscape: Road
Director
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.
Into Water’s Vibration
Editor
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
Into Water’s Vibration
Cinematography
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
Into Water’s Vibration
Director
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
Duration-Landscape: Rocks
Editor
"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.
Duration-Landscape: Rocks
Cinematography
"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.
Duration-Landscape: Rocks
Director
"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.
Distance-Landscape: Fishermen in the Same Sea
Editor
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Distance-Landscape: Fishermen in the Same Sea
Cinematography
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Distance-Landscape: Fishermen in the Same Sea
Director
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Distance-Landscape: Football Field
Editor
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Distance-Landscape: Football Field
Cinematography
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Distance-Landscape: Football Field
Director
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Into Earth’s Vibration
Editor
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
Into Earth’s Vibration
Cinematography
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
Into Earth’s Vibration
Director
We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.
Duration-Landscape: River
Editor
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.
Distance-Landscape: Meeting Between Men
Editor
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Distance-Landscape: Meeting Between Men
Cinematography
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Distance-Landscape: Meeting Between Men
Director
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Distance-Landscape: House
Editor
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Distance-Landscape: House
Cinematography
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Distance-Landscape: House
Director
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Duration-Landscape: River
Cinematography
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.
Duration-Landscape: River
Director
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.
Duration-Landscape: Cornfield
Editor
The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.
Duration-Landscape: Cornfield
Cinematography
The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.
Duration-Landscape: Cornfield
Director
The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.
Narcosis
Director
By Lois Patino
Sea Body
Director
Videoinstallation with methacrylate / no sound / 2018. Underwater Images recorded in Baja California Sur (México)
seventeen syllables
Thanks