Cristiane Oliveira

参加作品

Até Que A Música Pare
Writer
Até Que A Música Pare
Director
The First Death of Joana
Writer
Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.
The First Death of Joana
Producer
Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.
The First Death of Joana
Director
Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.
We Still Have the Deep Black Night
Screenplay
Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.
Gift
Producer
Caio receives a birthday "gift" from his friends -- a night with call boy Fernando. During the three hours of their meeting, the two will go from an initial aversion to a mutual and almost improbable attraction, slowly discovering and confronting the reality of both.
Nalu on the Border
Producer
Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.
Nalu on the Border
Writer
Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.
Nalu on the Border
Director
Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.
A Violent Dose of Anything
Writer
Pedro has taken the road and he does not know where he is going. Lucas does not know it either. After meeting at a roadside café, they travel through the Brazilian Savannah seeking for a violent dose of anything.
Nove Crônicas para um Coração aos Berros
Writer
In a mosaic of human relationships and day-to-day situations, men and women of different ages feel a pressing need to reinvent themselves. As they cross each other's paths, they all are at a turning point in their lives.
Nossa Senhora de Caravaggio