Jasper Johns

参加作品

Who Gets to Call It Art?
Himself (archive footage)
Metropolitan Museum of Art curator Henry Geldzahler reflects on the 1960s pop art scene in New York.
American Art in the 1960s
Himself
During this critical decade in American life, artists built on the styles of the 1950s. An explosion of artistic energy produced Pop Art, Minimalism, color-field painting, and hard-edged abstraction. Sculptors and painters on both coasts explored new methods and new subject matter. American Art in the Sixties examines the key figures of that decade including Rauschenberg and Johns, two crucial transitional figures between Abstract Expressionism and the sensibilities of the new decade. The art of that time mirrors the optimism and the affluence, and the technology and the vulgarity of those boom years.
End of the Art World
Himself
This is the debut documentary made by Alexis Krasilovsky, author of "Women Behind The Camera" (Praeger, 1997). Shot on 16mm in 1971, the film covers much of the New York avant-garde of the time.
Galaxie
Himself
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests.
Jasper Johns
In this program, pop artist Jasper Johns provides insight on his motives for creating works of art that utilize flags, targets, numerals, and maps as motifs. Johns is shown at work in his studios in New York and in Edisto, South Carolina, and explains the development of a piece of work from a sketch form to a painting or lithograph. New York art dealer Leo Castelli also makes a brief appearance in this program.