Ron Marasco

Dean Martin had a laid-back charm that made him successful in everything from big-screen comedies to television variety shows to live acts in Las Vegas. Filmmaker Tom Donahue explores Martin’s varied career, including his complicated relationships with Jerry Lewis, Frank Sinatra, Sammy Davis Jr, and others. We hear from admirers such as critic Gerald Early, actor Jon Hamm, and Hip-Hop artist RZA who testify to Martin’s enduring mystique.

Dean Martin had a laid-back charm that made him successful in everything from big-screen comedies to television variety shows to live acts in Las Vegas. Filmmaker Tom Donahue explores Martin’s varied career, including his complicated relationships with Jerry Lewis, Frank Sinatra, Sammy Davis Jr, and others. We hear from admirers such as critic Gerald Early, actor Jon Hamm, and Hip-Hop artist RZA who testify to Martin’s enduring mystique.

From the creators of You Can Heal Your Life: The Movie comes a compelling portrait of three modern lives in need of new direction and new meaning. In his first-ever movie, Wayne Dyer explores the spiritual journey in the second half of life when we long to find the purpose that is our unique contribution to the world. The powerful shift from the ego constructs we are taught early in life by parents and society—which promote an emphasis on achievement and accumulation—are shown in contrast to a life of meaning, focused on serving and giving back. Filmed on coastal California’s spectacular Monterey Peninsula, The Shift captures every person’s mid-life longing for a more purposeful, soul-directed life.

電気店で働くアンディは、フィギュア収集やテレビゲームをこよなく愛するオタクな40歳の独身男。ある日、アンディはひょんなことから自分が童貞である事実を仕事仲間であるデビッド、ジェイ、キャルたちに知られてしまう。驚いた３人はどうにかしてアンディに初体験をさせようといろいろ世話を焼き始める。そんな中、アンディはネット競売の仕事をしているトリシュという女性と知り合い、ついに初デートに漕ぎ着けるのだったが…。

A once-powerful, but now ailing movie director nears the end of his life. As he awaits death, he slips into a "dream" and is shown three "snippets" of the movie of his son's life. At first suspicious, then curious, and ultimately captivated, he watches his son's growth from mid-teens to mid-thirties as the son pursues his life-long love, Isabelle. The two constants through these snippets are his pursuit of Isabelle and the imagined voice of his father, telling him that he is worthless and unwanted. It is not until the story reaches its conclusion, that the old man discovers the surprising truth about his son and himself.

A once-powerful, but now ailing movie director nears the end of his life. As he awaits death, he slips into a "dream" and is shown three "snippets" of the movie of his son's life. At first suspicious, then curious, and ultimately captivated, he watches his son's growth from mid-teens to mid-thirties as the son pursues his life-long love, Isabelle. The two constants through these snippets are his pursuit of Isabelle and the imagined voice of his father, telling him that he is worthless and unwanted. It is not until the story reaches its conclusion, that the old man discovers the surprising truth about his son and himself.

Based on an Edgar Allan Poe story, this film tells the grimly comic tale of a bad-tempered old man (Howard Hesseman) who cheats death, only to go on tormenting the living. When a medical experiment leaves the grouch hovering between life and death (and able to describe the world beyond), things get tricky for his daughter (Jessica Capshaw) and her beau (Neil Patrick Harris, of "Doogie Howser, M.D." fame), who can't get their hands on his estate.